September 10, 1950-December 25, 1955.
Most shows were comedy-variety hours with guest hosts Martin & Lewis, Abbott & Costello, Eddie Cantor, Donald O'Connor, Bob Hope, Jimmy Durante, & Gordon MacRae. Starting in the Fall of 1952, occasional revues and musicals were broadcast. In the summer of 1955, the name of the series was changed to "Colgate Variety Hour," and when Colgate dropped its sponsorship, the show continued in January 1956 for one half season as the "NBC Comedy Hour." Woody Allen was one of the writers.
Guests: The DeMarco Sisters, Sonny King, Tommy Farrell, Rosette Shaw. Cameo appearance by Tony Curtis.
September 10, 1950-December 25, 1955.
Most shows were comedy-variety hours with guest hosts Martin & Lewis, Abbott & Costello, Eddie Cantor, Donald O'Connor, Bob Hope, Jimmy Durante, & Gordon MacRae. Starting in the Fall of 1952, occasional revues and musicals were broadcast. In the summer of 1955, the name of the series was changed to "Colgate Variety Hour," and when Colgate dropped its sponsorship, the show continued in January 1956 for one half season as the "NBC Comedy Hour." Woody Allen was one of the writers.
Guests: Janis Paige, Danny Arnold, Dick Stabile and his Orchestra,
cameos by Tony Martin and Joe Louis.
This was the final show of the season.
This "Salute To Jack Benny" testimonial dinner aired on CBS radio on November 9th, 1951.
Celebrating Jack's twenty years in radio are New York City Mayor Vincent Impellitteri, Milton Berle, President of CBS William S. Paley, Bernard Baruch, George Burns, George Jessel, Adlai Stevenson, and Fred Allen. Jack Benny remarks at the end of the roast. The program originates from the Friar's Club.
The Fitzgeralds was on ABC-TV in the late 1940s and early 1950s.
A 1949 review of their program, seen on WJZ-TV, noted, "There's is the first regularly televised married duo session. Instead of the typical breakfast table setting, the Fitzgeralds move around easily about a facsimile of their own living room."
On September 22nd, 1952, the Fitzgeralds launched a syndicated fifteen-minute program that featured them giving household tips, and playing commercials from national advertisers. The program was placed in local markets with sponsorship by stores that sold the products advertised. By early October, the program was seen in twelve markets.
April 19th, 1954-January 14th, 1955 (WABD)
In the Spring of 1954, Ernie Kovacs appeared on WABD-TV Channel 5 in New York City, New York's Dumont outlet, where he hosted a late-night one-hour local show for a period of nine months. It aired from 11:15PM to 12:15AM.
September 10, 1950-December 25, 1955.
Most shows were comedy-variety hours with guest hosts Martin & Lewis, Abbott & Costello, Eddie Cantor, Donald O'Connor, Bob Hope, Jimmy Durante, & Gordon MacRae. Starting in the Fall of 1952, occasional revues and musicals were broadcast. In the summer of 1955, the name of the series was changed to "Colgate Variety Hour," and when Colgate dropped its sponsorship, the show continued in January 1956 for one half season as the "NBC Comedy Hour." Woody Allen was one of the writers.
Milton Berle is host at the Diamond Jubilee Celebration of the Friar's Club, a fraternal organization of men in show business.
The clown prince of the piano offers some comedy spiced with a little music. The program will begin at the conclusion of the 1955 Rose Bowl game. Sponsored by American Chicle Company.
Next week at this time: Horace Heidt's Show Wagon will begin its nationwide travels in search of new talent.
Highlights:
"Rhapsody In Blue" Victor Borge
A poem read to music: "Thank You, God."
September 15th, 1954-May 4th, 1955 (CBS)
Series of specials, every fourth Wednesday for one season, replacing the Pabst Blue Ribbon boxing matches. Martin Manulis was the producer.
This episode: "Arsenic And Old Lace" starring Helen Hayes and Billie Burke.
September 10, 1950-December 25, 1955.
Most shows were comedy-variety hours with guest hosts Martin & Lewis, Abbott & Costello, Eddie Cantor, Donald O'Connor, Bob Hope, Jimmy Durante, & Gordon MacRae. Starting in the Fall of 1952, occasional revues and musicals were broadcast. In the summer of 1955, the name of the series was changed to "Colgate Variety Hour," and when Colgate dropped its sponsorship, the show continued in January 1956 for one half season as the "NBC Comedy Hour." Woody Allen was one of the writers.
Guest host: Guy Lombardo.
October 28th, 1950- September 15th, 1964 (CBS)
September 25th,1964-September 10th, 1965 (NBC)
Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston.
Jack visits the home of Edgar Bergen.
Frances Bergen, wife of Edgar, sings, "Just You Believe."
September 10, 1950-December 25, 1955.
Most shows were comedy-variety hours with guest hosts Martin & Lewis, Abbott & Costello, Eddie Cantor, Donald O'Connor, Bob Hope, Jimmy Durante, & Gordon MacRae. Starting in the Fall of 1952, occasional revues and musicals were broadcast. In the summer of 1955, the name of the series was changed to "Colgate Variety Hour," and when Colgate dropped its sponsorship, the show continued in January 1956 for one half season as the "NBC Comedy Hour." Woody Allen was one of the writers.
This episode stars Tom D'Andrea and Larry Blake. Includes comedy routine by Jonathan Winters and Joey Carter. Also, horror bit with Bert Wheeler, Tom D'Andrea, and Larry Blake.
September 10, 1950-December 25, 1955.
Most shows were comedy-variety hours with guest hosts Martin & Lewis, Abbott & Costello, Eddie Cantor, Donald O'Connor, Bob Hope, Jimmy Durante, & Gordon MacRae. Starting in the Fall of 1952, occasional revues and musicals were broadcast. In the summer of 1955, the name of the series was changed to "Colgate Variety Hour," and when Colgate dropped its sponsorship, the show continued in January 1956 for one half season as the "NBC Comedy Hour." Woody Allen was one of the writers.
Guest: Groucho Marx and a clip from his popular TV show, "You Bet Your Life."
Television comes in for 90 minutes of ribbing tonight. Heading the company of spoofers is Imogene Coca, once a regular Saturday-night ornament of Max Liebman's "Show Of Shows" series. Reunited with Liebman for this show, she is joined by actor Tony Randall, pop singers Eileen Barton, Alan Dale, Johnny Desmond, and another Show Of Shows alumnus, Bill Hayes, dancers Bambi Linn and Rod Alexander, Bil and Cora Baird and their marionettes, and musical-comedy performer Robert Gallagher.
Highlights:
Grand Opening-Ensemble
"Faithfully-Unfaithfully" (film clip)-Coca, Gallagher
Hollywood Star Interview-Coca, Randall
Forgotten Songs-Barton, Dale, Desmond, Hayes, Linn, Alexander
"Wide,Wide, Wonderland"- Coca, Randall
"Get Your Audience"- Randall
Tenacious Commercial- Coca, Marionettes
"The Merriest Widow"- Ensemble
"You'll Love Love In Paree"- Coca
"Maxim's"- Hayes, Coca
"Come To The Pavilion"- Coca
"Merry Widow Waltz"- Ensemble
Encores- Coca
"Jim," "Maywalk", "Strip", "Tramp",
Host: Art Linkletter.
September 27th, 1954-May 25th, 1957
A sixty-minute comedy show starring Sid Caesar. Most of Sid's old gang of regulars from "Your Show Of Shows" returned. They included Nanette Fabray, Janet Blair, Carl Reiner, Howard Morris, and Pat Carroll.
This episode: Tribute To George Gershwin.
Nanette Fabray, others.
September 10, 1950-December 25, 1955.
Most shows were comedy-variety hours with guest hosts Martin & Lewis, Abbott & Costello, Eddie Cantor, Donald O'Connor, Bob Hope, Jimmy Durante, & Gordon MacRae. Starting in the Fall of 1952, occasional revues and musicals were broadcast. In the summer of 1955, the name of the series was changed to "Colgate Variety Hour," and when Colgate dropped its sponsorship, the show continued in January 1956 for one half season as the "NBC Comedy Hour." Woody Allen was one of the writers.
Standup comedy from Jonathan Winters.
September 10, 1950-December 25, 1955.
Most shows were comedy-variety hours with guest hosts Martin & Lewis, Abbott & Costello, Eddie Cantor, Donald O'Connor, Bob Hope, Jimmy Durante, & Gordon MacRae. Starting in the Fall of 1952, occasional revues and musicals were broadcast. In the summer of 1955, the name of the series was changed to "Colgate Variety Hour," and when Colgate dropped its sponsorship, the show continued in January 1956 for one half season as the "NBC Comedy Hour." Woody Allen was one of the writers.
Guest: Georgie Kay. Psychiatrist sketch.
October 28th, 1950- September 15th, 1964 (CBS)
September 25th,1964-September 10th, 1965 (NBC)
Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston.
Jack performs a violin duet with guest Gisele Mackenzie.
A salute to America's pasttime as the 1956 baseball season gets underway.
Highlights: Art Carney portrays pitcher "Pee Wee" Carney and is interviewed by sportscaster Red Barber.
A skit by Don Adams: "Umpire School."
September 10, 1950-December 25, 1955.
Most shows were comedy-variety hours with guest hosts Martin & Lewis, Abbott & Costello, Eddie Cantor, Donald O'Connor, Bob Hope, Jimmy Durante, & Gordon MacRae. Starting in the Fall of 1952, occasional revues and musicals were broadcast. In the summer of 1955, the name of the series was changed to "Colgate Variety Hour," and when Colgate dropped its sponsorship, the show continued in January 1956 for one half season as the "NBC Comedy Hour." Woody Allen was one of the writers.
Guests: Hank Penny, Dan Tanner.
September 20th, 1955-September 11th, 1959 (CBS)
Thirty-minute comedy series starring Phil Silvers as Sgt. Ernie Bilko. The series was originally titled "You'll Never Get Rich" but after a few weeks, the name was changed to the Phil Silvers Show. It was one of the favorite 1950s sitcoms among TV viewers.
September 30, 1951-August 29, 1971
Red Skelton's network television program began at the start of the 1951 fall season on NBC (for sponsor Procter & Gamble). After two seasons on Sunday nights, the program was picked up by CBS in the fall of 1953 and moved to Tuesday night, the time slot with which it would become primarily associated during most of its run. After his first CBS season the program was moved to Wednesday night and expanded to an hour for the summer of 1954 only; it was then reduced back to a half-hour for a time, later expanded again, returning to Tuesday night where it would remain for the next sixteen years (co-sponsored by Johnson's Wax and Pet Milk between 1955 and 1962).
On September 25, 1962, the program was again expanded to a full hour (becoming The Red Skelton Hour) and remained in this longer format for the balance of its CBS run.
CBS ended its association with the program in early 1970. This apparently marked the beginning of one of several attempts by CBS to downplay programming whose primary appeal was to "Middle America", an audience more rural and also somewhat older than that generally desired by network television advertisers. Marketers were moving towards a younger, "hipper", and more urban audience.
At least in part due to Skelton's iconic status, the program was picked up by NBC, premiering on September 14, 1970. Vice President Spiro Agnew introduced Red's 20th season opener, returning back to NBC where he began his first TV season. Guest on Shelton's premiere program was Jerry Lewis. After the taping of the show Lewis told the audience: "My ambition has always been to be a clown...tonight I've had the honor of working with a great clown."
The program that aired was quite different from the one that Skelton's CBS audience was used to seeing. The new set was dark, devoid of the backdrops that viewers had seen on CBS. The show was cut back to its original half-hour length and it was moved from Tuesday to Monday nights.
The new format never really worked. The program ended in March 1971, although selected programs from this final season were rerun on NBC on Sunday nights in prime time during June-August, 1971.
October 12th, 1950-September 22nd, 1958 (CBS)
Long-running half-hour comedy series starring the team of George Burns and his wife Gracie Allen. Burns would play the straight man to Allen's crazy antics. Their son Ronnie would make occasional appearances on the program. Harry Von Zell was the announcer, replacing the original announcer, Bill Goodwin.
September 30, 1951-August 29, 1971
Red Skelton's network television program began at the start of the 1951 fall season on NBC (for sponsor Procter & Gamble). After two seasons on Sunday nights, the program was picked up by CBS in the fall of 1953 and moved to Tuesday night, the time slot with which it would become primarily associated during most of its run. After his first CBS season the program was moved to Wednesday night and expanded to an hour for the summer of 1954 only; it was then reduced back to a half-hour for a time, later expanded again, returning to Tuesday night where it would remain for the next sixteen years (co-sponsored by Johnson's Wax and Pet Milk between 1955 and 1962).
On September 25, 1962, the program was again expanded to a full hour (becoming The Red Skelton Hour) and remained in this longer format for the balance of its CBS run.
CBS ended its association with the program in early 1970. This apparently marked the beginning of one of several attempts by CBS to downplay programming whose primary appeal was to "Middle America", an audience more rural and also somewhat older than that generally desired by network television advertisers. Marketers were moving towards a younger, "hipper", and more urban audience.
At least in part due to Skelton's iconic status, the program was picked up by NBC, premiering on September 14, 1970. Vice President Spiro Agnew introduced Red's 20th season opener, returning back to NBC where he began his first TV season. Guest on Shelton's premiere program was Jerry Lewis. After the taping of the show, Lewis told the audience: "My ambition has always been to be a clown...tonight I've had the honor of working with a great clown."
The program that aired was quite different from the one that Skelton's CBS audience was used to seeing. The new set was dark, devoid of the backdrops that viewers had seen on CBS. The show was cut back to its original half-hour length and it was moved from Tuesday to Monday nights.
The new format never really worked. The program ended in March 1971, although selected programs from this final season were rerun on NBC on Sunday nights in prime time during June-August, 1971.
In this episode, Red Skelton's guests are actor Boris Karloff
and actress Eva Gabor.
September 27th, 1954-May 25th, 1957
A sixty-minute comedy show starring Sid Caesar. Most of Sid's old gang of regulars from "Your Show Of Shows" returned. They included Nanette Fabray, Janet Blair, Carl Reiner, Howard Morris, and Pat Carroll.
This episode includes a spoof of the game show, "What's My Line?"
September 27th, 1954-May 25th, 1957
A sixty-minute comedy show starring Sid Caesar. Most of Sid's old gang of regulars from "Your Show Of Shows" returned. They included Nanette Fabray, Janet Blair, Carl Reiner, Howard Morris, and Pat Carroll.
Janet Blair, Pat Carroll, Shari Conway.
April 19th, 1954-January 14th, 1955 (WABD)
In the Spring of 1954, Ernie Kovacs appeared on WABD-TV Channel 5 in New York City, New York's Dumont outlet, where he hosted a late-night one-hour local show for a period of nine months. It aired from 11:15PM to 12:15AM.
Guest: The Jazz String Quartet.
October 2, 1956 - June 25, 1957
Jonathan Winters starred in a 15 minute television series for NBC airing each Tuesday evening from 7:30pm - 7:45pm. Assisting him on his comedy blackout sketches was announcer Don Pardo until late March 1957 when Wayne Howell succeeded him.
Guest: Denise Lor.
October 2, 1956 - June 25, 1957
Jonathan Winters starred in a 15 minute television series for NBC airing each Tuesday evening from 7:30pm - 7:45pm. Assisting him on his comedy blackout sketches was announcer Don Pardo until late March 1957 when Wayne Howell succeeded him.
Duplicate of #10233B.
October 2, 1956 - June 25, 1957
Jonathan Winters starred in a 15 minute television series for NBC airing each Tuesday evening from 7:30pm - 7:45pm. Assisting him on his comedy blackout sketches was announcer Don Pardo until late March 1957 when Wayne Howell succeeded him.
In a sketch, Jonathan plays a pioneer leader as well as many other characters including adding sound effects, clearing land with his party of 20 settlers, building log cabins at first until realizing that they have built too many and thus call their settlement "Levittown Kansas Settlement." The pioneers brave an indian attack as leader Winters tells all to save one bullet for their wives.
Don Pardo is the narrator during the sketch adding tidbits of information.
Jonathan signs off at the end of the show with his famous sound effects departure via his flying saucer as he says good night to guest Steve Lawrence whom we only hear briefly.
September 27th, 1954-May 25th, 1957
A sixty-minute comedy show starring Sid Caesar. Most of Sid's old gang of regulars from "Your Show Of Shows" returned. They included Nanette Fabray, Janet Blair, Carl Reiner, Howard Morris, and Pat Carroll.
This episode includes the show's ending only with Carl Reiner.
September 27th, 1954-May 25th, 1957
A sixty-minute comedy show starring Sid Caesar. Most of Sid's old gang of regulars from "Your Show Of Shows" returned. They included Nanette Fabray, Janet Blair, Carl Reiner, Howard Morris, and Pat Carroll.
The Show opening with Sid Caesar and Carl Reiner.
September 27th, 1954-May 25th, 1957.
Sixty-minute variety/comedy hour starring Sid Caesar. It followed "Your Show Of Shows" which left the air in 1954.
Sid Caesar is joined by Carl Reiner. This was the next-to-last show of the series.
Skit: "Break Your Brains" with Sid Caesar, Carl Reiner, Janet Blair, Howard Morris, and Pat Carroll.
October 28th, 1950- September 15th, 1964 (CBS)
September 25th,1964-September 10th, 1965 (NBC)
Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston.
The Jack Benny signature "Your Money Or Your Life" skit is performed.
January 12, 1926-November 25, 1960 (radio); June 28, 1951-June 11, 1953 (television). "Amos 'n' Andy," one of the most popular and long-running radio programs of all time, was brought to television in the summer of 1951 by Freeman Gosden & Charles Correll. When the show was cancelled, 65 episodes had been produced. An additional 13 episodes were then filmed to be added to the syndicated re-run package. These 13 episodes first aired on CBS television beginning on January 4, 1955. Note: "Amos 'n' Andy" used three 35mm cameras to film each episode prior to "I Love Lucy," most often given credit for first using this TV revolutionary three camera approach. "I Love Lucy" premiered on October 15, 1951. Today, 72 of the 78 "Amos 'n' Andy" episodes are available & sold on DVD. However, six episodes remain mysteriously absent. Archival Television Audio recorded two of these missing episodes off the air in 1961 - "Restitution" and "Fur Coat."
This episode: "Amos Helps Out." During a fight, Sapphire tells Kingfish she wishes she had never married him.
Starring Tim Moore, and Spencer Williams. Amos: Alvin Childress.
SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.
These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).
These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.
The rarity of this type of media to record television is not known to have occurred beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.
The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.
NOTE:
To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.
GRAY AUDIOGRAPH (1946 - 1976)
History:
The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, SoundScriber and VoiceWriter formats.
Audograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.
The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.
Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.
ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.
THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.
September 20th, 1955-September 11th, 1959 (CBS)
Thirty-minute comedy series starring Phil Silvers as Sgt. Ernie Bilko. The series was originally titled "You'll Never Get Rich" but after a few weeks, the name was changed to the Phil Silvers Show. It was one of the favorite 1950s sitcoms among TV viewers.
On this episode: Fort Baxter is the scene of a huge uranium search when Bilko and the boys decide to Strike it Rich.
SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.
These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).
These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.
The rarity of this type of media to record television is not known to have occurred beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.
The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.
NOTE:
To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.
GRAY AUDIOGRAPH (1946 - 1976)
History:
The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, Sound Scriber and Voice Writer formats.
Audograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.
The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.
Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.
ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.
THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.
January 12, 1926-November 25, 1960 (radio); June 28, 1951-June 11, 1953 (television). "Amos 'n' Andy," one of the most popular and long-running radio programs of all time, was brought to television in the summer of 1951 by Freeman Gosden & Charles Correll. When the show was cancelled, 65 episodes had been produced. An additional 13 episodes were then filmed to be added to the syndicated re-run package. These 13 episodes first aired on CBS television beginning on January 4, 1955. Note: "Amos 'n' Andy" used three 35mm cameras to film each episode prior to "I Love Lucy," most often given credit for first using this TV revolutionary three camera approach. "I Love Lucy" premiered on October 15, 1951. Today, 72 of the 78 "Amos 'n' Andy" episodes are available & sold on DVD. However, six episodes remain mysteriously absent. Archival Television Audio recorded two of these missing episodes off the air in 1961 - "Restitution" and "Fur Coat."
This episode: Kingfish tries to live up to the tall tales of success he's been sending back to his hometown newspaper. The local editor comes to New York to give a party in honor of the successful George "Kingfish" Stevens. Kingfish: Tim Moore.
SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.
These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).
These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.
The rarity of this type of media to record television is not known to have occurred beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.
The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.
NOTE:
To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.
GRAY AUDIOGRAPH (1946 - 1976)
History:
The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, SoundScriber and VoiceWriter formats.
Audograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.
The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.
Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.
ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.
THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.
January 12, 1926-November 25, 1960 (radio); June 28, 1951-June 11, 1953 (television). "Amos 'n' Andy," one of the most popular and long-running radio programs of all time, was brought to television in the summer of 1951 by Freeman Gosden & Charles Correll. When the show was cancelled, 65 episodes had been produced. An additional 13 episodes were then filmed to be added to the syndicated re-run package. These 13 episodes first aired on CBS television beginning on January 4, 1955. Note: "Amos 'n' Andy" used three 35mm cameras to film each episode prior to "I Love Lucy," most often given credit for first using this TV revolutionary three camera approach. "I Love Lucy" premiered on October 15, 1951. Today, 72 of the 78 "Amos 'n' Andy" episodes are available & sold on DVD. However, six episodes remain mysteriously absent. Archival Television Audio recorded two of these missing episodes off the air in 1961 - "Restitution" and "Fur Coat."
This episode: The Kingfish outsmarts in trying to teach Sapphire a lesson. Starring Tim Moore and Ernestine Wade.
SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.
These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).
These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.
The rarity of this type of media to record television is not known to have occurred beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.
The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.
NOTE:
To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.
GRAY AUDIOGRAPH (1946 - 1976)
History:
The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, SoundScriber and VoiceWriter formats.
Audograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.
The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.
Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.
ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.
THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.
1950. This is a rerun of a 1950 broadcast.
Live comedy show with Buster Keaton recreating and updating his classic routines. Also starring Peter Leeds and Harvey Parry.
SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.
These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).
These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.
The rarity of this type of media to record television is not known to have occured beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.
The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.
NOTE:
To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.
GRAY AUDIOGRAPH (1946 - 1976)
History:
The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, SoundScriber and VoiceWriter formats.
Audiograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audiograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.
The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.
Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.
ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.
THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.
The first syndicated reruns of the classic 39 episodes of the "Honeymooners" ran from September 24th, 1957 to September 16th, 1958 on WRCA TV channel 4 in New York. They aired weekly on Tuesday evenings from 7:00 to 7:30pm, following "The Huntley Brinkley Report" which aired from 6:45 to 7:00pm.
Subsequently, reruns of "The Honeymooners" have aired on WPIX in New York from October 9th, 1958 to the present, a run of over 60 years. Jack Lescoulie is the voice announcing the opening of these rebroadcasts, as originally announced during its original run on CBS, October 1st, 1955 to September 22nd, 1956.
However, little known is the fact that Don Pardo announced the opening of "The Honeymooners" VERY FIRST re-runs on WRCA-TV for only one year, September 24th, 1957-September 16th, 1958.
Pardo also includes in his opening introduction the sponsor, Ronzonni.
Included in this TV audio air check is the ending of "The Huntley-Brinkley Report" ("...Jose Melis last evening spouted poetry about Sputnik on 'The Jack Paar Tonight Show'...") which precedes the opening of this "The Honeymooners" opening episode, "Brother Ralph" announced by Don Pardo.
A music and comedy celebration of the 75th anniversary of Standard Oil Company of New Jersey.
Lavish presentation of this musical/comedy special with staging by Cyril Ritchard.
Highlights include Jane Powell singing "Jubilee Time," Bert Lahr and Jimmy Durante reminiscing about their Vaudevillian days, Donald O'Connor and Sid Miller in a comedy sketch writing songs for a new 1958 play, and a rousing closing of "Jubilee Time" by entire cast.
Hosts: Tyrone Power and Brandon De Wilde.
Announcer: Don Pardo.
January 26th, 1958-May 25th-1958
A short-lived half-hour comedy show starring Sid Caesar who was reunited with Imogene Coca for the first time since "Your Show Of Shows" left the air in 1954. Other regulars were Paul Reed, Milt Kamen, Carl Reiner, and Howard Morris. The show was dropped by the ABC network after just four months due to low ratings.
This is the season premiere with Imogene Coca, and Carl Reiner.
Announcer is Hugh Downs.
January 26th, 1958-May 25th-1958
A short-lived half-hour comedy show starring Sid Caesar who was reunited with Imogene Coca for the first time since "Your Show Of Shows" left the air in 1954. Other regulars were Paul Reed, Milt Kamen, Carl Reiner, and Howard Morris. The show was dropped by the ABC network after just four months due to low ratings.
This is the season premiere with Imogene Coca, and Carl Reiner.
Announcer is Hugh Downs.
Includes commercials for Helena Rubenstein.
Duplicate of #13,264 which is a fourteen-minute excerpt. This version is complete.
Victor Borge's one hour comedy special is interrupted by guests Bambi Linn and singer Doretta Morrow. Borge introduces Abbott Lee Ruskin, a 12 year old piano prodigy.
Victor addresses how to compose a "hit" song.
Writers for this broadcast are Henry Morgan and Jack Douglas.
HIGHLIGHTS
"Liechtensteiner Polka," .....Victor Borge
"Blue Serenade,"....................................Linn and Alexander
"Chopin's Waltz C Sharp Minor".......................Victor Borge
Victor Borge's one hour comedy special is interrupted by guests Bambi Linn and singer Doretta Morrow. Borge introduces Abbott Lee Ruskin, a 12 year old piano prodigy.
Victor addresses how to compose a "hit" song.
Writers for this broadcast are Henry Morgan and Jack Douglas.
Duplicate of #10227.
HIGHLIGHTS
"Liechtensteiner Polka," .....Victor Borge
"Blue Serenade,"....................................Linn and Alexander
"Chopin's Waltz C Sharp Minor".......................Victor Borge
January 26th, 1958-May 25th-1958
A short-lived half-hour comedy show starring Sid Caesar who was reunited with Imogene Coca for the first time since "Your Show Of Shows" left the air in 1954. Other regulars were Paul Reed, Milt Kamen, Carl Reiner, and Howard Morris. The show was dropped by the ABC network after just four months due to low ratings.
Next to last show of the series. Joined in progress, last twenty minutes only.
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PRESERVING & ARCHIVING THE SOUND OF LOST & UNOBTAINABLE ORIGINAL TV (1946 - 1982)
ACCREDITED BY GUINNESS WORLD RECORDS
"Preserving & disseminating important TV Audio Air Checks, the video considered otherwise lost."
-Library of Congress
UNIQUE in the WORLD audio air check recordings by 20-year-old Phil Gries, archiving the first, second bulletins & initial NBC TV broadcast coverage of President John F. Kennedy's assassination. Not recorded by NBC or any other resource in the country.
A&E TV SPECIAL - host Edwin Newman (11-22-1988) introduction - 25th Anniversary of JFK Assassination.
NBC TV "Lost Don Pardo Bulletins" & Lost first 3:53 TV coverage (Phil Gries unique broadcast audio recording) unable to be video tape recorded or audio tape recorded by NBC.
Phil Gries telephone interview with Don Pardo (5-14-1998).
10 minutes.
LIVE with PHIL GRIES
ARCHIVAL TELEVISION AUDIO - WEBINAR
Each Friday Evening from 7:30 - 8:30PM EST.