October 18th, 1959-1966, 

A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. 

Igor Markevitch Conductor. 



                                                                                                                     

John Conte was host for this half hour series of thirty nine easy listening programs, featuring Annunzio Mantovani and his orchestra. This series was produced in England and syndicated in the United States. The program featured a guest star each week. This program debuted in the United States on WNET channel 13 in New York on April 15th, 1961 with singer Dorothy Collins in a salute to the silver screen.    

Dupe of number 3924.                   

October 18th, 1959-1966, 

A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. 

John Barbirolli Conductor. 



                                                                                                                                  

John Conte was host for this half hour series of thirty nine easy listening programs, featuring Annunzio Mantovani and his orchestra. This series was produced in England and syndicated in the United States. The program featured a guest star each week. This program debuted in the United States on WNET channel 13 in New York on April 15th, 1961 with singer Dorothy Collins in a salute to the silver screen.   

This was "The Music Of Love" broadcast.  

                                                                                    

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.  

                                                                                                                                                                                                                                      

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

What is Tin Pan Alley? When did it get its start? Max Morath answers these and other questions in the course of an amazing and amusing program devoted to the music business. In the Ragtime Era. Do you realize that “A Bicycle Built for Two” was rejected by American music publishers, and only became popular after it was printed in England?  Do you know who invented the phrase “Tin Pan Alley?” What do the names Rosenfeld, Von Tilzer, Berlin, or words like “nickelodeon,” “illustrated song,” or “coon song” mean to you? Did you know that popular music is one of the outstanding examples of the improvement in civil liberties over the past decade? Or that it was ragtime which brought everyday speech and slang into popular songs?

In this episode, Max Morath explains how Tin Pan Alley got its name; discusses the rise of the popular song in America; explains the idea of the “Illustrated Song” as an advertising technique for selling songs; discusses the dangers of stereotypes and racism in song and plays a “coon song” from the Rag Time Era; explains the meaning of copyright and gives a brief history on the invention of the gramophone.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                       

October 18th, 1959-1966, 

A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. 

Andre Cluytens Conductor. 

 



                                                                                                                                               

October 18th, 1959-1966, 

A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. 

Percy Faith Conductor. 

 



                                                                                                                                                            

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.  

A 1952 Style "Hit Parade" Is The Theme. 
                                                                                                                                                                                                                                                                

John Conte was host for this half hour series of thirty nine easy listening programs, featuring Annunzio Mantovani and his orchestra. This series was produced in England and syndicated in the United States. The program featured a guest star each week. This program debuted in the United States on WNET channel 13 in New York on April 15th, 1961 with singer Dorothy Collins in a salute to the silver screen.   

Mantovani plays the music of Cole Porter.   

                                                                       

THE "MUSIC OF FRANCE" SHOW.

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                    

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

Continuing with his anecdotes and analysis of Tin Pan Alley, Mr. Morath tells about the songs which no one remembers today – how they were chosen, what made theme popular, and why they were forgotten. He tells about the song-plugger, the growth of movies and the illustrated song, the development and decline of the sheet music business, and the importance of new kinds of music and novel ideas. He also speaks about the fascinating and feverish world behind the scenes of the popular music arena of the early 1900s.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                                                 

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

“A tune needs a rhythmic pattern – unless you’re singing in the bathtub. How else will you know when to tape your feet?” So asks Mr. Morath at the beginning of this program. He spends the rest of the half hour explaining all the different rhythmic patterns used in ragtime music. Using delightful examples and the rhythm section of a band to illustrate his points, he distinguishes between 2/4, ¾ and 6/8 time, between largo, allegretto, and other tempos, and he shows how the rhythm of a song can change its whole feeling. The foot-tapping part of a song is just as important as the words or the harmonies, and this program explores how the foot-tapping part is composed.

Continuing with his anecdotes and analysis of Tin Pan Alley, Mr. Morath tells about the songs which no one remembers today – how they were chosen, what made theme popular, and why they were forgotten. He tells about the song-plugger, the growth of movies and the illustrated song, the development and decline of the sheet music business, and the importance of new kinds of music and novel ideas. He also speaks about the fascinating and feverish world behind the scenes of the popular music arena of the early 1900s.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                                                                           

October 18th, 1959-1966, 

A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. 

Walter Hendl Conductor. 

 



                                                                                                                                                                         

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

This program deals largely with those years after 1911, when “America jumped, not headlong but feet first, into a dance mania,” as Max Morath puts it. How many people remember the “Grizzly Bear,” the “Kangaroo Dips,” the “Lama Duck,” or the most famous one of all, the “Turkey Trot?” Mr. Morath plays the music which sent ragtime America dance-crazy, and the steps themselves, complicated or simple, exhausting or romantic, are danced by the Cornick dance team. The progression form the strenuous and difficult waltzes and schottische, to the simpler, less exhausting two-steps, to finally, the more elaborate tangos; the growth of dance halls, tea dances, and, incidentally, cocktail parties; the dances left over from the Ragtime Era which we’re still dancing – these are the topics of this program.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                                                                           

December 8, 1957-June 18, 1961. 
Programs not hosted by Dinah Shore (every 4th week during the season of 1957-58 and 1958-59, more often thereafter until June 1961) were known as "The Chevy Show." 

Presented on "THE CHEVY SHOW." which was also a weekly summer replacement for "The Dinah Shore Chevy Show" in 1958 and 1959. June 22, 1958 to September 27, 1959, with rotating hosts Janet Blair, John Raitt and Edie Adams. The format was a mixed bag of popular and classical music, skits and monologues. During the summer run of 1959 (June 7, 1959 to September 27, 1959), Blair and Raitt returned as co-hosts. Dorothy Kirsten appeared during both seasons.

 Live musical with interesting premise. Seems things are in a miserable state of Earth, so a heavenly messenger is sent down to deliver a "commercial" over a world-wide television network. The angel tells his viewers that their lives can be free from worries about such trivial maters as money and health. He announces he'll prove his point by showing a day in the life of young Kathy Hewitt, assisted by himself as her guardian angel.

Janis Paige sings, "Too Old," and joins Craig Stevens in "Dancing in a Dream." Axel Stordahl conducts the orchestra.                                        

December 8, 1957-June 18, 1961. 
Programs not hosted by Dinah Shore (every 4th week during the season of 1957-58 and 1958-59, more often thereafter until June 1961) were known as "The Chevy Show." 

Presented on "THE CHEVY SHOW." which was also a weekly summer replacement for "The Dinah Shore Chevy Show" in 1958 and 1959. June 22, 1958 to September 27, 1959, with rotating hosts Janet Blair, John Raitt and Edie Adams. The format was a mixed bag of popular and classical music, skits and monologues. During the summer run of 1959 (June 7, 1959 to September 27, 1959), Blair and Raitt returned as co-hosts. Dorothy Kirsten appeared during both seasons.

 Live musical with interesting premise. Seems things are in a miserable state of Earth, so a heavenly messenger is sent down to deliver a "commercial" over a world-wide television network. The angel tells his viewers that their lives can be free from worries about such trivial maters as money and health. He announces he'll prove his point by showing a day in the life of young Kathy Hewitt, assisted by himself as her guardian angel.

Janis Paige sings, "Too Old," and joins Craig Stevens in "Dancing in a Dream." Axel Stordahl conducts the orchestra.                           

October 18th, 1959-1966, 

A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. 

Andre Kostelanetz Conductor. 

 



                                                                                                                                                                                      

A series of radio shows sponsored by Steinway Pianos. The accent is showcasing musicians. This broadcast presented an all-star jazz concert.             

January 12, 1959-April 26, 1968. This was the final broadcast of the season. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.             

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

The Ragtime Era, says Max Morath, ended with the end of World War I. He devotes a large part of this final program to a description, in words and music, of America’s part before, during and after the war. Our unwillingness, and our unpreparedness, then our desperate efforts to arm and to persuade our people that it was right to arm, our soldiers’ views of the war, and our reactions to the end of the war – all these reflected in the songs of the period, the songs which put an end to the Ragtime Era

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                                                                                        

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                    

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                                                                        

"When Frances dances with me" is highlighted.

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                                 

1955-1973

Dick Sinclair produced and hosted this polka program that was broadcast on KTLA television in Los Angeles. The show featured Tom Kennedy as announcer, singer Julia Hand and long-time Lawrence Welk accordionist Myron Floren.  

Regulars: Julia Hand, All Star Polka Band, Myron Floren.                       

A "Musical Welcome to Summer," show.

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                    

July 14, 1961-September 22, 1961. 
Pilot TV shows for potential series. Eleven half-hour series. Benny Goodman, "The King of Swing," is seen with his band at a dance session taped at Disneyland. Joining in are the Yachtsmen vocal quartet and a Dixieland group and a swing quintet, made up of members of the band.    
On this broadcast, "Let's Dance," "Ridin' High," 'Stealin' Apples," "Roll 'em," "You Turned the Tables on Me," and "That's A-Plenty."                     

A tribute to Jack Benny for his benefit concerts to raise money for struggling orchestras.                        

  A special broadcast on CBS Radio highlighting Richard Maltby  and his orchestra from the Moonball in Freedomland Amusement Park.   
NOTE: Richard Maltby, American musician, conductor, arranger and bandleader was most notable for his 1956 recording, "The Man with the Golden Arm." His active years were during the 1930's - 1960's.