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#10424: A SALUTE TO BING CROSBY (20 YEARS IN SHOW BUSINESS)

1951-01-09, CBS, 30 min.

A CBS RADIO PRODUCTION 

MC Art Linkletter with in order of appearance:
Edgar Bergen and Charlie McCarthy- Comedy
Mary Martin sings "A Wonderful Guy"
William S. Paley- recalls hearing Bing for the first time twenty years ago and getting him for CBS.
Ella Fitzgerald- sings "Can Anyone Explain?"
Amos and Andy- tribute to Bing (serious)
Dorothy Kirsten- sings "Ouvre Ton Coeur"
Louis Armstrong and Jack Teagarden-"Rockin Chair"
Judy Garland sings- "Rockabye Your Baby"
Mrs. H. L. Crosby Sr. Recalls Bing's childhood
Bing Crosby and Bob Hope in a comedy routine
Bing sings- "I Surrender Dear"

#10673: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

Order

1951-08-03, WNBC, min.

TEX AND JINX Radio & Television BROADCAST HISTORY:

April 22, 1946- February 27, 1959.

WEAF (WNBC, WRCA), New York weekdays at 8:30 A.M. until 1954; at 1:00pm,1954-1955; then at 6:30 and 10:35pm until July 31, 1958, moving briefly to WOR, broadcasting at 2:15pm.

In addition to the Kollmars (Dorothy Kilgallen and husband Richard Kollmar) and the Fitzgeralds (Pegeen and husband Ed Fitzgerald), another well-recognized New York couple, newlyweds Tex McCrary and Jinx Falkenburg, added their own bread-and-bacon banter to the local airwaves between 1946 and 1959. Their gabfest, initially Hi Jinx but later revised to Tex and Jinx, was beamed over WEAF which was subsequently re-lettered WNBC and later WRCA. In limited doses, the flagship outlet of the National Broadcasting Company transmitted Meet Tex and Jinx to the whole country during 1947 and 1948.

Tex and Jinx devoted most of their airtime to lofty and noble concepts, visitors and sidebars. Tex and Jinx [on WEAF-WNBC-WRCA] were interviewing Bernard Baruch, Margaret Truman, or Ethel Waters…. McCrary built the show on the assumption that the early morning audience was not stupid, as programmers generally assumed; that people in general had fresher minds and were more open to serious topics at the beginning of the day.”

Their joint radio venture began in April 1946 just 10 months following their nuptials (June 10, 1945). Launched as a breakfast feature, the series later shifted to afternoons and finally into the evening hours before departing the ether a dozen years afterward. They were branded by one journalist “Mr. Brains and Mrs. Beauty.”

In early 1947 NBC put them on its television network as a portion of a Sunday evening quarter-hour dubbed Bristol-Myers Tele-Varieties. “The McCrarys were naturals for TV,” wrote a reviewer, “with their combination of friendly chatter, interviews, and features.” That summer the web awarded them an exclusive Sunday night half-hour format under the appellation At Home with Tex and Jinx. A decade later, in the 1957-58 season, the duo hosted a daytime NBC-TV showcase, The Tex and Jinx Show.

When hepatitis sidetracked Falkenburg in 1958 from their broadcast commitments, McCrary carried on solo on their radio show for another couple of years. In the 1980s, however, the couple separated, remaining on genial terms. McCrary died in New York on July 29, 2003 and Falkenburg expired just 29 days later in the same city, on August 27, 2003.

NOTE::
The scores of TEX AND JINX SHOWS archived by Archival Television Audio, Inc. were originally obtained as original 16" Electronic Discs from Barry Farber, producer of the show (1957-1959), in 1960 after he had begun his own career in front of the mike at WINS Radio. These discs were subsequently transferred to 1/4" reel to reel tape, and then disposed. These broadcasts are rare and represent the largest known collection of TEX AND JINX extant broadcasts in the world.

Today's Headlines: New York City Mayor Vincent Impellitteri welcomes Middleweight champion Sugar Ray Robinson. Bernard Baruch arrives home, President Truman says Eisenhower is free to run for President in 1952, Waxey Gordon seized in dope raid, 3,000 NYC police sign up in Mike Quill's union, global war danger increases, Mary Martin and Rich Halliday off to England, comment on rivalry in Republican party, Taft and Eisenhower urge participation by Eisenhower for nomination.
Today's Guest: Violinist: Yehudi Menuhin.

#10683: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

Order

1951-10-17, WNBC, min.

TEX AND JINX Radio & Television BROADCAST HISTORY:

April 22, 1946- February 27, 1959.

WEAF (WNBC, WRCA), New York weekdays at 8:30 A.M. until 1954; at 1:00pm,1954-1955; then at 6:30 and 10:35pm until July 31, 1958, moving briefly to WOR, broadcasting at 2:15pm.

In addition to the Kollmars (Dorothy Kilgallen and husband Richard Kollmar) and the Fitzgeralds (Pegeen and husband Ed Fitzgerald), another well-recognized New York couple, newlyweds Tex McCrary and Jinx Falkenburg, added their own bread-and-bacon banter to the local airwaves between 1946 and 1959. Their gabfest, initially Hi Jinx but later revised to Tex and Jinx, was beamed over WEAF which was subsequently re-lettered WNBC and later WRCA. In limited doses, the flagship outlet of the National Broadcasting Company transmitted Meet Tex and Jinx to the whole country during 1947 and 1948.

Tex and Jinx devoted most of their airtime to lofty and noble concepts, visitors and sidebars. Tex and Jinx [on WEAF-WNBC-WRCA] were interviewing Bernard Baruch, Margaret Truman, or Ethel Waters…. McCrary built the show on the assumption that the early morning audience was not stupid, as programmers generally assumed; that people in general had fresher minds and were more open to serious topics at the beginning of the day.”

Their joint radio venture began in April 1946 just 10 months following their nuptials (June 10, 1945). Launched as a breakfast feature, the series later shifted to afternoons and finally into the evening hours before departing the ether a dozen years afterward. They were branded by one journalist “Mr. Brains and Mrs. Beauty.”

In early 1947 NBC put them on its television network as a portion of a Sunday evening quarter-hour dubbed Bristol-Myers Tele-Varieties. “The McCrarys were naturals for TV,” wrote a reviewer, “with their combination of friendly chatter, interviews, and features.” That summer the web awarded them an exclusive Sunday night half-hour format under the appellation At Home with Tex and Jinx. A decade later, in the 1957-58 season, the duo hosted a daytime NBC-TV showcase, The Tex and Jinx Show.

When hepatitis sidetracked Falkenburg in 1958 from their broadcast commitments, McCrary carried on solo on their radio show for another couple of years. In the 1980s, however, the couple separated, remaining on genial terms. McCrary died in New York on July 29, 2003 and Falkenburg expired just 29 days later in the same city, on August 27, 2003.

NOTE::
The scores of TEX AND JINX SHOWS archived by Archival Television Audio, Inc. were originally obtained as original 16" Electronic Discs from Barry Farber, producer of the show (1957-1959), in 1960 after he had begun his own career in front of the mike at WINS Radio. These discs were subsequently transferred to 1/4" reel to reel tape, and then disposed. These broadcasts are rare and represent the largest known collection of TEX AND JINX extant broadcasts in the world.

Today's Headlines: On-the-spot report of Judy Garland's opening at the Palace Theater in New York City. Interviews with Peter Lind Hayes, Mary Healy, and actress Maria Riva, daughter of actress Marlene Dietrich.

#10688: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

Order

1951-11-05, WNBC, min.

TEX AND JINX Radio & Television BROADCAST HISTORY:

April 22, 1946- February 27, 1959.

WEAF (WNBC, WRCA), New York weekdays at 8:30 A.M. until 1954; at 1:00pm,1954-1955; then at 6:30 and 10:35pm until July 31, 1958, moving briefly to WOR, broadcasting at 2:15pm.

In addition to the Kollmars (Dorothy Kilgallen and husband Richard Kollmar) and the Fitzgeralds (Pegeen and husband Ed Fitzgerald), another well-recognized New York couple, newlyweds Tex McCrary and Jinx Falkenburg, added their own bread-and-bacon banter to the local airwaves between 1946 and 1959. Their gabfest, initially Hi Jinx but later revised to Tex and Jinx, was beamed over WEAF which was subsequently re-lettered WNBC and later WRCA. In limited doses, the flagship outlet of the National Broadcasting Company transmitted Meet Tex and Jinx to the whole country during 1947 and 1948.

Tex and Jinx devoted most of their airtime to lofty and noble concepts, visitors and sidebars. Tex and Jinx [on WEAF-WNBC-WRCA] were interviewing Bernard Baruch, Margaret Truman, or Ethel Waters…. McCrary built the show on the assumption that the early morning audience was not stupid, as programmers generally assumed; that people in general had fresher minds and were more open to serious topics at the beginning of the day.”

Their joint radio venture began in April 1946 just 10 months following their nuptials (June 10, 1945). Launched as a breakfast feature, the series later shifted to afternoons and finally into the evening hours before departing the ether a dozen years afterward. They were branded by one journalist “Mr. Brains and Mrs. Beauty.”

In early 1947 NBC put them on its television network as a portion of a Sunday evening quarter-hour dubbed Bristol-Myers Tele-Varieties. “The McCrarys were naturals for TV,” wrote a reviewer, “with their combination of friendly chatter, interviews, and features.” That summer the web awarded them an exclusive Sunday night half-hour format under the appellation At Home with Tex and Jinx. A decade later, in the 1957-58 season, the duo hosted a daytime NBC-TV showcase, The Tex and Jinx Show.

When hepatitis sidetracked Falkenburg in 1958 from their broadcast commitments, McCrary carried on solo on their radio show for another couple of years. In the 1980s, however, the couple separated, remaining on genial terms. McCrary died in New York on July 29, 2003 and Falkenburg expired just 29 days later in the same city, on August 27, 2003.

NOTE::
The scores of TEX AND JINX SHOWS archived by Archival Television Audio, Inc. were originally obtained as original 16" Electronic Discs from Barry Farber, producer of the show (1957-1959), in 1960 after he had begun his own career in front of the mike at WINS Radio. These discs were subsequently transferred to 1/4" reel to reel tape, and then disposed. These broadcasts are rare and represent the largest known collection of TEX AND JINX extant broadcasts in the world.

Today's Headlines: Rudolph Halley and acting Mayor Joseph Sharkey campaign in New York City. Eisenhower home, will not discuss politics, will Ike run? Tex McCrary predicts Ike will run and Truman will not. Report from London: Mary Martin's opening in "South Pacific" (play vigorously panned by British critics).
Jinx Falkenburg interviews first nighters at the Drury Lane Theatre in London. Personalities include Oscar Hammerstein, Noel Coward, Mr. and Mrs. Joshua Logan, Heller Halliday, (Mary Martin's daughter) Mary Martin in curtain call, and Laurence Olivier. Interview with Mary Martin.

#11004: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

Order

1954-02-25, WNBC, min.

TEX AND JINX Radio & Television BROADCAST HISTORY:

April 22, 1946- February 27, 1959.

WEAF (WNBC, WRCA), New York weekdays at 8:30 A.M. until 1954; at 1:00pm,1954-1955; then at 6:30 and 10:35pm until July 31, 1958, moving briefly to WOR, broadcasting at 2:15pm.

In addition to the Kollmars (Dorothy Kilgallen and husband Richard Kollmar) and the Fitzgeralds (Pegeen and husband Ed Fitzgerald), another well-recognized New York couple, newlyweds Tex McCrary and Jinx Falkenburg, added their own bread-and-bacon banter to the local airwaves between 1946 and 1959. Their gabfest, initially Hi Jinx but later revised to Tex and Jinx, was beamed over WEAF which was subsequently re-lettered WNBC and later WRCA. In limited doses, the flagship outlet of the National Broadcasting Company transmitted Meet Tex and Jinx to the whole country during 1947 and 1948.

Tex and Jinx devoted most of their airtime to lofty and noble concepts, visitors and sidebars. Tex and Jinx [on WEAF-WNBC-WRCA] were interviewing Bernard Baruch, Margaret Truman, or Ethel Waters…. McCrary built the show on the assumption that the early morning audience was not stupid, as programmers generally assumed; that people in general had fresher minds and were more open to serious topics at the beginning of the day.”

Their joint radio venture began in April 1946 just 10 months following their nuptials (June 10, 1945). Launched as a breakfast feature, the series later shifted to afternoons and finally into the evening hours before departing the ether a dozen years afterward. They were branded by one journalist “Mr. Brains and Mrs. Beauty.”

In early 1947 NBC put them on its television network as a portion of a Sunday evening quarter-hour dubbed Bristol-Myers Tele-Varieties. “The McCrarys were naturals for TV,” wrote a reviewer, “with their combination of friendly chatter, interviews, and features.” That summer the web awarded them an exclusive Sunday night half-hour format under the appellation At Home with Tex and Jinx. A decade later, in the 1957-58 season, the duo hosted a daytime NBC-TV showcase, The Tex and Jinx Show.

When hepatitis sidetracked Falkenburg in 1958 from their broadcast commitments, McCrary carried on solo on their radio show for another couple of years. In the 1980s, however, the couple separated, remaining on genial terms. McCrary died in New York on July 29, 2003 and Falkenburg expired just 29 days later in the same city, on August 27, 2003.

NOTE::
The scores of TEX AND JINX SHOWS archived by Archival Television Audio, Inc. were originally obtained as original 16" Electronic Discs from Barry Farber, producer of the show (1957-1959), in 1960 after he had begun his own career in front of the mike at WINS Radio. These discs were subsequently transferred to 1/4" reel to reel tape, and then disposed. These broadcasts are rare and represent the largest known collection of TEX AND JINX extant broadcasts in the world.

Today's Guests: Jack Benny (Brief ) and Mary Martin.

#9490: RODGERS & HAMMERSTEIN REVUE SPECIAL

Order

1954-03-28, NBC, 71 min.

    To celebrate its 25th anniversary, the General Foods Corporation has taken over the NBC and CBS networks from 8:00 to 9:30 P.M. to present highlights from the musical productions of Richard Rodgers and Oscar Hammerstein, 2nd.  The shows to be represented in this review of eleven years of musical-comedy achievement are: Oklahoma, Carousel, Allegro, South Pacific, The King and I, and Me and Juliet. 

   Clarence Francis, chairman of General Foods, opens the program which is hosted by Mary Martin. The first musical number, "Oh, What a Beautiful Mornin'," sung by Gordon MacRae, comes from "Oklahoma!", Rodgers and Hammerstein's first musical collaboration together. Jack Benny then appears in a sketch in which he recalls buying a ticket to "Carousel" for only six dollars and sixty cents. Then John Raitt sings "You're a Queer One, Julie Jordan," and is joined by Jan Clayton in singing "If I Loved You"; both songs are from "Carousel." After Martin sings "It Might as Well Be Spring," from the score to the movie "State Fair," Edgar Bergen and his dummy, Charlie McCarthy, introduce Bill Hayes and Janice Rule in "You Are Never Away," from the musical "Allegro." The following segment is an excerpt from Groucho Marx's "You Bet Your Life" television series, in which he interviews Rodgers and Hammerstein. Then Martin and Ezio Pinza perform "Some Enchanted Evening," and Martin sings "A Wonderful Guy." Both pieces are from the musical "South Pacific." Ed Sullivan then introduces excerpts from "The King and I," which feature Patricia Morison singing "Getting to Know You," with dancing by Michiko, as well as Yul Brynner performing "A Puzzlement." Jack Benny returns to showcase Tony Martin in "The Big Black Giant" and Rosemary Clooney in "No Other Love"; both pieces are from "Me and Juliet." The program ends with MacRae and Florence Henderson performing a duet from "Oklahoma!" titled "People Will Say We're in Love."

#11583: DAVE GARROWAY SHOW, THE

Order

1954-06-04, NBC, 14 min.

October 2nd, 1953- June 25th, 1954- (NBC)

Friday-night half- hour variety series hosted by Dave Garroway.
Regulars included Jack Haskell, Cliff Norton, Jill Corey, Shirley Harmer, and dancers Ken Spaulding and Diane Sinclair, and Skitch Henderson, musical director.
Haskell and Norton worked with Garroway on his first series, "Garroway At Large."

"Foolish Things"..........................Cheerleaders

"Portrait of a Flirt" (instrumental)

"I'm A Fool To Care"...........Les Paul & Mary Ford

"Little Lucy"...................Entire Cast

Those interested in acquiring information as to the tile of the songs (when known) for a specific show and who sang them are mostly available upon request.

With the exception of two broadcasts (June 18 and 25 (final show) all of the Dave Garroway show air checks in the Archival Television Audio, Inc. archive are not complete shows. They contain just the songs the performers (Regulars) and guest stars performed. These edited down airchecks run approximately 15 minutes and are mostly comprised of SONGS. There are exceptions such as when Art Carney visited hearing interchanges with him and Dave Garroway.

Those interested in acquiring information as to the tile of the songs (when known) for a specific show and when not detailed, and who sang these songs would have to be monitored again, available upon request.

NOTE:
The Dave Garroway show auditioned for female singers and there was a premium on time and studio space. There was no piano and Skitch Henderson, the music director, had to accompany the young hopefuls on a celeste, an instrument which despite its similarity to a piano is very difficult to sing with. Jill was very nervous during the hustle and bustle of all this, but Garroway reassured her and she won the audition. She later became the top female singer on the "Dave Garroway Show."

MOST of the listed Dave Garroway Shows archived in the collection of ATA do not exist in any other known museum, private collection or at NBC.

There does exist 10 Dave Garroway Show kinescopes that are archived at two museums, Paley Center for Media, and at UCLA Film & TV Museum. It must be noted that kinescope optical sound tracks are "noisy" and much inferior to these mastered 1/4" reel to reel audio tapes which were recorded off the air direct line at 15IPS.

Paley Center for Media archives AND Archival Television Audio, Inc. archives:

1-April 4, 1954 - Guest- Herb Shriner
2-April 16, 1954 -Guest - Marguerite Piazza.
3-April 28, 1954 -Guest - Eddie Howard
4-May 7, 1954 -Guest- Paul Winchell and Jerry Mahoney
5-June 11, 1954 - Guest - Janet Blair

UCLA archives AND Archival Television Audio, Inc. archives:

1-March 5, 1954 - Guest - Lisa Kirk & Skitch Henderson orchestra
2-March 12, 1954 - Guest - Morton Downey
3-March 19, 1954 - Guest - Ames Brothers
4-March 26, 1954 - Guest - Patrice Munsel
5- (At one time listed by UCLA but not currently) June 25, 1954 -Ensemble cast again introduced with personal thoughts by Dave Garroway. Each sing their favorite song performed during this series run (Oct. 2, 1953-June 25, 1954.

NOTE: The master 1`/4" audio tapes containing "The Dave Garroway Show" have skimpy liner notes related to contents. In some cases Phil Gries has collated some of these air checks for additional information. Also, note, that these recordings were made in studio (15ips), by Mahlon Fox Audio Engineer of this series creating a personal audio copy for himself (later acquired by Phil Gries). These broadcasts aired over 70 years ago and the tapes are very fragile. However, they play back well and the sound when originally recorded and recently monitored by Gries is supreme representing these shows.

#10578: PERRY COMO SHOW, THE

Order

1954-06-13, CBS, 14 min.

October 2, 1950 - June 24, 1955 
(CBS TV Monday, Wednesday, Friday 15 minute broadcasts).

September 12, 1955-June 12, 1963. In the fall of 1955 Perry Como returned to NBC where he hosted a weekly hour show. From 1955 to 1959 it was seen Saturday evenings and was titled "The Perry Como Show." From 1959 to 1963 it was seen Wednesday evenings and was titled "The Kraft Music Hall." Regulars included Frank Gallop and the Ray Charles Singers. After his final weekly June 12, 1963 broadcast Perry Como appeared in scores of specials, beginning October 3, 1963, airing on NBC, CBS & ABC, and concluding on December 6, 1986. 

Guests: Les Paul and Mary Ford.     

Mitchell Ayres  Orchestra.

Announcer: Dick Stark.

#10598: ED SULLIVAN SHOW (TOAST OF THE TOWN)

Order

1954-07-11, CBS, min.

           June 20, 1948 - May 30, 1971

ED SULLIVAN SHOW, THE, (TOAST OF THE TOWN)
Television's longest running variety series. Originally, titled, TOAST OF THE TOWN, the name of the series changed on September 18, 1955 to THE ED SULLIVAN SHOW. Most remembered for introducing many stand-up comedians, and musical acts, including The Rolling Stones, Elvis Presley, The Beatles. 

 Most of the 1,087 broadcasts, encompassing 10,000 performers, have been archived. The major exceptions are the first half year of shows circa 1948 of which a few kinescope excerpts survive.
 
The ED SULLIVAN SHOW was a spectacular show-case that for twenty-three years entertained the American family. In its prime, more than thirty million viewers, young and old, tuned in at the same time to view popular culture.   

Guest: Rosemary Clooney 

Host: Ed Sullivan

#10603: ED SULLIVAN SHOW (TOAST OF THE TOWN)

Order

1954-07-11, CBS, min.

           June 20, 1948 - May 30, 1971

ED SULLIVAN SHOW, THE, (TOAST OF THE TOWN)
Television's longest running variety series. Originally, titled, TOAST OF THE TOWN, the name of the series changed on September 18, 1955 to THE ED SULLIVAN SHOW. Most remembered for introducing many stand-up comedians, and musical acts, including The Rolling Stones, Elvis Presley, The Beatles. 

 Most of the 1,087 broadcasts, encompassing 10,000 performers, have been archived. The major exceptions are the first half year of shows circa 1948 of which a few kinescope excerpts survive.
 
The ED SULLIVAN SHOW was a spectacular show-case that for twenty-three years entertained the American family. In its prime, more than thirty million viewers, young and old, tuned in at the same time to view popular culture.   

Guest: Rosemary Clooney.

#10940B: CBS NEWS WITH DOUGLAS EDWARDS

Order

1954-08-02, CBS, min.

Mrs. Mamie Eisenhower honors Mrs. Mary Church Terrell, at the National Association Of Colored Woman's Convention. 

Host: Douglas Edwards

#5998: TOGETHER WITH MUSIC

Order

1955-10-22, WCBS, 80 min.

Presented on "FORD STAR JUBILEE." Mary Martin and Noel Coward headline in this ninety minute review.

#10704: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

Order

1955-12-12, WNBC, 47 min.

TEX AND JINX Radio & Television BROADCAST HISTORY:

April 22, 1946- February 27, 1959.

WEAF (WNBC, WRCA), New York weekdays at 8:30 A.M. until 1954; at 1:00pm,1954-1955; then at 6:30 and 10:35pm until July 31, 1958, moving briefly to WOR, broadcasting at 2:15pm.

In addition to the Kollmars (Dorothy Kilgallen and husband Richard Kollmar) and the Fitzgeralds (Pegeen and husband Ed Fitzgerald), another well-recognized New York couple, newlyweds Tex McCrary and Jinx Falkenburg, added their own bread-and-bacon banter to the local airwaves between 1946 and 1959. Their gabfest, initially Hi Jinx but later revised to Tex and Jinx, was beamed over WEAF which was subsequently re-lettered WNBC and later WRCA. In limited doses, the flagship outlet of the National Broadcasting Company transmitted Meet Tex and Jinx to the whole country during 1947 and 1948.

Tex and Jinx devoted most of their airtime to lofty and noble concepts, visitors and sidebars. Tex and Jinx [on WEAF-WNBC-WRCA] were interviewing Bernard Baruch, Margaret Truman, or Ethel Waters…. McCrary built the show on the assumption that the early morning audience was not stupid, as programmers generally assumed; that people in general had fresher minds and were more open to serious topics at the beginning of the day.”

Their joint radio venture began in April 1946 just 10 months following their nuptials (June 10, 1945). Launched as a breakfast feature, the series later shifted to afternoons and finally into the evening hours before departing the ether a dozen years afterward. They were branded by one journalist “Mr. Brains and Mrs. Beauty.”

In early 1947 NBC put them on its television network as a portion of a Sunday evening quarter-hour dubbed Bristol-Myers Tele-Varieties. “The McCrarys were naturals for TV,” wrote a reviewer, “with their combination of friendly chatter, interviews, and features.” That summer the web awarded them an exclusive Sunday night half-hour format under the appellation At Home with Tex and Jinx. A decade later, in the 1957-58 season, the duo hosted a daytime NBC-TV showcase, The Tex and Jinx Show.

When hepatitis sidetracked Falkenburg in 1958 from their broadcast commitments, McCrary carried on solo on their radio show for another couple of years. In the 1980s, however, the couple separated, remaining on genial terms. McCrary died in New York on July 29, 2003 and Falkenburg expired just 29 days later in the same city, on August 27, 2003.

NOTE::
The scores of TEX AND JINX SHOWS archived by Archival Television Audio, Inc. were originally obtained as original 16" Electronic Discs from Barry Farber, producer of the show (1957-1959), in 1960 after he had begun his own career in front of the mike at WINS Radio. These discs were subsequently transferred to 1/4" reel to reel tape, and then disposed. These broadcasts are rare and represent the largest known collection of TEX AND JINX extant broadcasts in the world.

Tex and Jinx speak with Sid Caesar, Marlon Brando, Tennessee Williams, Hal Wallis, and Marilyn Monroe before the New York City premiere of the movie "The Rose Tattoo." Also interviewed by Jinx Falkenburg is director of "The Rose Tattoo," Daniel Mann. He speaks admirably working with Ann Magnani as does Marlon Brando who also praised James Wong Howe's cinematography.
Brando and Marilyn Monroe have words for one another, as well as Sid Caesar who is in awe sitting next to Monroe. Marilyn talks about the Actor's Studio and there are some very funny moments recorded of Brando asking Monroe to do an improvisation.
Tex McCrary interviews Helen Hayes.

A gem of a broadcast archived originally by Archival Television Audio, Inc. MORE complete than any of the bootlegged unauthorized versions posted to you tube that came from me originally.

This version reflects the original master 16" ET transferred to 1/4" audio tape in 1960.

NOTE:

JOHN McCRARY

9/10/2001

Dear Phil,

[Letter in response to receiving a requested audio air check by Jinx Falkenburg ("Tex & Jinx" live radio broadcast) with guests Marilyn Monroe, Marlon Brando and Sid Caesar]

"Thank you again for the cassette. As I mentioned on the phone, my mother, Jinx (Falkenburg), has always said that that interview with Marilyn (Monroe) - Dec. 12, 1955 - was her most difficult interview ever."

Sincerely,

John McCrary

#10690: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

Order

1956-04-04, WNBC, min.

TEX AND JINX Radio & Television BROADCAST HISTORY:

April 22, 1946- February 27, 1959.

WEAF (WNBC, WRCA), New York weekdays at 8:30 A.M. until 1954; at 1:00pm,1954-1955; then at 6:30 and 10:35pm until July 31, 1958, moving briefly to WOR, broadcasting at 2:15pm.

In addition to the Kollmars (Dorothy Kilgallen and husband Richard Kollmar) and the Fitzgeralds (Pegeen and husband Ed Fitzgerald), another well-recognized New York couple, newlyweds Tex McCrary and Jinx Falkenburg, added their own bread-and-bacon banter to the local airwaves between 1946 and 1959. Their gabfest, initially Hi Jinx but later revised to Tex and Jinx, was beamed over WEAF which was subsequently re-lettered WNBC and later WRCA. In limited doses, the flagship outlet of the National Broadcasting Company transmitted Meet Tex and Jinx to the whole country during 1947 and 1948.

Tex and Jinx devoted most of their airtime to lofty and noble concepts, visitors and sidebars. Tex and Jinx [on WEAF-WNBC-WRCA] were interviewing Bernard Baruch, Margaret Truman, or Ethel Waters…. McCrary built the show on the assumption that the early morning audience was not stupid, as programmers generally assumed; that people in general had fresher minds and were more open to serious topics at the beginning of the day.”

Their joint radio venture began in April 1946 just 10 months following their nuptials (June 10, 1945). Launched as a breakfast feature, the series later shifted to afternoons and finally into the evening hours before departing the ether a dozen years afterward. They were branded by one journalist “Mr. Brains and Mrs. Beauty.”

In early 1947 NBC put them on its television network as a portion of a Sunday evening quarter-hour dubbed Bristol-Myers Tele-Varieties. “The McCrarys were naturals for TV,” wrote a reviewer, “with their combination of friendly chatter, interviews, and features.” That summer the web awarded them an exclusive Sunday night half-hour format under the appellation At Home with Tex and Jinx. A decade later, in the 1957-58 season, the duo hosted a daytime NBC-TV showcase, The Tex and Jinx Show.

When hepatitis sidetracked Falkenburg in 1958 from their broadcast commitments, McCrary carried on solo on their radio show for another couple of years. In the 1980s, however, the couple separated, remaining on genial terms. McCrary died in New York on July 29, 2003 and Falkenburg expired just 29 days later in the same city, on August 27, 2003.

NOTE::
The scores of TEX AND JINX SHOWS archived by Archival Television Audio, Inc. were originally obtained as original 16" Electronic Discs from Barry Farber, producer of the show (1957-1959), in 1960 after he had begun his own career in front of the mike at WINS Radio. These discs were subsequently transferred to 1/4" reel to reel tape, and then disposed. These broadcasts are rare and represent the largest known collection of TEX AND JINX extant broadcasts in the world.

Today's Headlines: Mary Margaret McBride interviews Dr.Tom Dooley who relates his experiences in South Vietnam, processes thousands of refugees fleeing from North Vietnam.

#11344: MAX LIEBMAN SPECTACULAR: MUSIC OF GEORGE GERSHWIN, THE

Order

1956-05-12, NBC, 60 min.

September 12th,1954-June 6th, 1956.

Series of monthly specials presented on Saturday and Sunday evenings by "Your Show Of Shows" producer Max Liebman. 

Selections:

Vocal: 

"S Wonderful"- Girl Quartet 
"Soon"- Alfred Drake
"Nice Work"- Toni Arden
"Can't Take That Away"- Tony Bennett 
"Embraceable You"- Ethel Merman 
"Bidin My Time"-Trio
"Mine, "Foggy Day"- Alfred Drake
"I've Got A Crush On You"- Toni Arden
"But Not For Me"- Ethel Merman
"Swanee"- Quintet
"Do, Do, Do"- Toni Arden
"Our Love Is Here To Stay"- Tony Bennett 
"I Got Rhythm"- Ethel Merman 
"Wintergreen For President- Ensemble 

Dance:

"Love Is Sweeping The Country" - Harrison, Muller Tap
"Slap That Bass"- Dance Team
"My One And Only"- Peter Conlow
"Half-Of-It- Dearie Blues"- Muller
"Someone To Watch Over Me"- Team
"Looking For A Boy"- Peter Conlow 
"Sam And Delilah"- Bob Hamilton Trio
"By Strauss"- Dance Ensemble 
"Sweet And Lowdown"- Ballerinas Diana
Adams,  Tanaquil leClercq, Patricia Wilde
"Clap Yo Hands"- Ensemble 

Instrumental:

"American In Paris"- (Excerpts)- Orchestra 
"Liza"- Robert Maxwell, Harp
"Who Cares?"- Art Van Damme Quintet
"Somebody Loves Me"- First Piano Quartet 
"Let's Call The Whole Thing Off"- Orchestra 
"Love Walked In"- Robert Maxwell
"They All Laughed"- Art Van Damme Quintet 
"Fascinatin Rhythm"- Piano Concerto
"Man I Love"- Richard Hayman, Harmonica 
"Lady Be Good"- Art Van Damme Quintet 
"Strike Up The Band"- Orchestra
"Rhapsody In Blue"- Eugene List, Piano 

"Porgy And Bess":
Soloists: Cab Calloway, Lawrence Winters, Camilla Williams.

#13023: HALLMARK HALL OF FAME, THE

Order

1956-10-28, WNBC, 10 min.

"Born Yesterday" starring Mary Martin and Paul Douglas. A ten-minute excerpt.

#13064: JACK BENNY PROGRAM, THE

Order

1956-11-04, CBS, 16 min.

October 28th, 1950- September 15th, 1964 (CBS)
September 25th,1964-September 10th, 1965 (NBC)    

Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston.   

Jack Benny's guests are Mr. and Mrs. Ronald Coleman.

#GR2: MATINEE THEATER: "FRANKENSTEIN"

Order

1956-11-06, WNBC, 50 min.

October 31, 1955 - June 13, 1958

Broadcast Live this ambitious TV adaptation of the 1818 novel, FRANKESTEIN, written by English author Mary Shelley, was televised in Color on NBC TV, February 5, 1957, starring Tom Tyron, Christine White, Vic Perrin & Primo Carnera as the Monster.

While 55 references in WIKIPEDA of actors playing the role of the Monster (stage, film, TV), over the years, there is not mention of the characterization and version performed by Primo Carnera.

This peerless COMPLETE AUDIO AIR CHECK broadcast of FRNKENSTEIN was restored by Phil Gries from an original 1/4" reel to reel audio tape discovered and obtained by archivist scholar Gary Rutkowski (www.savetv.tv).

Matinee Theater was an American anthology series that aired on NBC during the Golden Age of Television, from October 31, 1955,[ to June 27, 1958 (including last two weeks of re-runs).

The series was broadcast on NBC television daily from 3 p.m. to 4 p.m. Eastern Time, was usually broadcast LIVE and most of the time in color. Its live dramas were presented with minimal sets and costumes. During its three-year series run there were 7000 different performers employed, and hundreds of talented writers and directors who navigated its peerless television run, using 4,200 sets, 210,000 props, and 15,000 costumes.

Host for this series was John Conti.

When it was broadcast, Matinee Theater was the most heavily promoted regularly scheduled daytime program on U.S. television, part of the network's effort to "provide quality 'adult' entertainment" in daytime programming.

The series ended in 1958 due to its high budget, much higher than any other daytime program in television. A few of the later episodes were preserved on color film for later rerun syndication under different titles.

Almost all of the 590 original and 81 re-run episodes broadcast have been wiped, destroyed, or are not known to exist any longer in any broadcast form (audio or kinescope, or video).

UCLA Film & TV has 20 different kinescopes in their archive, most not accessible.

The Library of Congress has only TWO kinescopes in their archive, each on separate negative audio tracks, and separate 16mm Negative Kinescopes. However in 1986 when NBC TV donated 18,600 of their extant kinescopes (1948-1975) to the LOC, their was notated at that time SEVEN separate kinescopes (separate 16mm films and corresponding Negative Optical Sound tracks), for the broadcast dates, Oct. 31, 1955, Nov. 28, 1955, Nov. 29, 1955, Dec. 20, 1955, April 20, 1956, May 3, 1956 & Dec. 10, 1956.

The Paley Center for Media has THREE composite kinescopes in their archive.

*The following FOUR television audio air checks are extant in the Archival Television Audio, Inc. collection, archived on ¼” reel to reel audio tape originally used to record these programs off the air, direct line, resulting in excellent playback sound, at the time of their original broadcast.

*All FOUR titles extant in the ATA archive are not included in the above three major USA media archives.

6 Nov. 1956
ATA#GR1 The Tell-Tale Heart – November 6, 1956

In this classic Edgar Allan Poe story, a man commits a murder, but afterward the victim's beating heart torments the murderer's mind.

5 Feb. 1957
ATA#GR2 Frankenstein – February 5, 1957

An obsessed scientist assembles a living being from parts of exhumed corpses.

15 Feb. 1957
ATA#GR3 The Others – February 15, 1957
7.8 (21)

A governess battles to save two children from an evil supernatural force.

13 Dec. 1956
ATA#GR4 Captain Brassbound's Conversion – December 13, 1957

Captain Brassbound, a vindictive sea captain, swears revenge on a visiting Englishman whom he blames for his mother's death.

*The scripts of the MATINEE THEATER series' later episodes are archived at the University of California, Los Angeles.

#13094: JACK BENNY PROGRAM, THE

Order

1956-11-18, CBS, 6 min.

October 28th, 1950- September 15th, 1964 (CBS)
September 25th,1964-September 10th, 1965 (NBC)    

Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston.   


An excerpt from the November 18th, 1956 episode of this show.

#10533: ROSEMARY CLOONEY SHOW, THE

Order

1957-05-28, SYN, 6 min.

1956-1957 (SYN)

Series of thirty- nine syndicated half-hour variety shows, hosted by Rosemary Clooney. Also featured were the Hi-Lo's, and the Nelson Riddle orchestra. In the fall of 1957, Clooney hosted her own network series, The Lux Show Starring Rosemary Clooney.

Guest : Carol Channing 

Musical highlights- "How About You" sung by Rosemary Clooney and a Carol Channing, Charleston number from "Lend An Ear." Hi-Los singing group also appear. 

NOTE;
Syndicated in other parts of the country and broadcast at different times on different dates including June 2, 1957.

#11409: SEARCH FOR TOMORROW

Order

1957-09-02, CBS, 15 min.

September 3rd, 1951-March 26th, 1982 (CBS)
March 29th, 1982- December 26th, 1986 (NBC)

Created by Roy Windsor, this durable daytime drama enjoyed a thirty-five year run on both CBS and finishing on NBC,
Search For Tomorrow was sent in the town of Henderson and its main character was Joanne Gardner Barron Tate Vincente Tourneur
played by Mary Stuart for the show's entire run.

SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.

These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).

These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.

The rarity of this type of media to record television is not known to have occured beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.

The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.

NOTE:

To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.

GRAY AUDIOGRAPH (1946 - 1976)

History:

The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, SoundScriber and VoiceWriter formats.

Audiograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audiograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.

The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.

Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.

ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.

THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.

#11426: SEARCH FOR TOMORROW

Order

1957-09-03, KNXT, 15 min.

September 3rd, 1951-March 26th, 1982 (CBS)
March 29th, 1982- December 26th, 1986 (NBC)

Created by Roy Windsor, this durable daytime drama enjoyed a thirty-five year run on both CBS and finishing on NBC,
Search For Tomorrow was sent in the town of Henderson and its main character was Joanne Gardner Barron Tate Vincente Tourneur
played by Mary Stuart for the show's entire run.

SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.

These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).

These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.

The rarity of this type of media to record television is not known to have occurred beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.

The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.

NOTE:

To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.

GRAY AUDIOGRAPH (1946 - 1976)

History:

The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, Sound Scriber and Voice Writer formats.

Audograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.

The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.

Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.

ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.

THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.
SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.

These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).

These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.

The rarity of this type of media to record television is not known to have occured beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.

The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.

NOTE:

To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.

GRAY AUDIOGRAPH (1946 - 1976)

History:

The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, SoundScriber and VoiceWriter formats.

Audiograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audiograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.

The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.

Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.

ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.

THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.

#11476: SEARCH FOR TOMORROW

Order

1957-09-05, KNXT, 15 min.

September 3rd, 1951-March 26th, 1982 (CBS)
March 29th, 1982- December 26th, 1986 (NBC)

Created by Roy Windsor, this durable daytime drama enjoyed a thirty-five year run on both CBS and finishing on NBC,
Search For Tomorrow was sent in the town of Henderson and its main character was Joanne Gardner Barron Tate Vincente Tourneur
played by Mary Stuart for the show's entire run.

SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.

These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).

These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.

The rarity of this type of media to record television is not known to have occured beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.

The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.

NOTE:

To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.

GRAY AUDIOGRAPH (1946 - 1976)

History:

The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, SoundScriber and VoiceWriter formats.

Audiograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audiograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.

The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.

Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.

ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.

THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.

#11490: CLIMAX

Order

1957-09-05, KNXT, 60 min.

October 7th, 1954-June 26th, 1958- (CBS)

Hour-Long dramatic anthology series began as a live show but soon after, switched to film. Cohosted by William Lundigan and Mary Costa. Climax shared a time slot with "Shower Of Stars," which was seen every fourth week.

This Episode: "Trial By Fire." Story of a woman whose son is suspected of setting a fire that destroys a resort community.
Starring: Linda Darnell, Forrest Tucker, Harry Townes, and Malcolm Broderick.

SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.

These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).

These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.

The rarity of this type of media to record television is not known to have occured beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.

The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.

NOTE:

To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.

GRAY AUDIOGRAPH (1946 - 1976)

History:

The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, SoundScriber and VoiceWriter formats.

Audiograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audiograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.

The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.

Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.

ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.

THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.

#11497: SEARCH FOR TOMORROW

Order

1957-09-06, KNXT, 15 min.

September 3rd, 1951-March 26th, 1982 (CBS)
March 29th, 1982- December 26th, 1986 (NBC)

Created by Roy Windsor, this durable daytime drama enjoyed a thirty-five year run on both CBS and finishing on NBC,
Search For Tomorrow was sent in the town of Henderson and its main character was Joanne Gardner Barron Tate Vincente Tourneur
played by Mary Stuart for the show's entire run.

SELECTIONS FROM ORIGINAL GRAY AUDOGRAPH DISC RECORDINGS, RECORDED OFF THE AIR, REPRESENTING SEVEN CONSECUTIVE DAYS OF KNXT LOS, ANGELES BROADCASTING, SUNDAY, SEPTEMBER 1 THRU 7, 1957.

These LOST CBS broadcasts represent an unprecedented one complete week, sign on to sign off, September 1, 2, 3, 4, 5, 6, 7, 1957 (130 hours on 130 8 & 1/2" diameter discs with a capacity to record 32 minutes per side (side one and side two had the potential capacity to record 64 minutes).

These discs were obtained in Los Angeles by Phil Gries, creator and owner of Archival Television Audio, Inc. in 2011. They were originally found in an establishment, located in Burbank, California, selling old records dispersing its inventory as they went out of business, a few years before.

The rarity of this type of media to record television is not known to have occured beyond a few incidents, as stated below, at any other time, which make this collection of TV Audio Airchecks, recorded on Gray Audograph discs, an amazing surviving artifact.

The sound quality varies with different broadcasts. After a period of almost three years, processing and digitizing these 130 two sided discs, there is recognition of the rarity of some of these broadcasts providing one of a kind surviving Television Audio Airchecks and are extremely desirable regardless of some of the extraneous sound artifacts heard on some of these tracks which were painstakingly processed and transferred one by one to optimize the sound quality and proper pitch.

NOTE:

To listen to a seminar Phil Gries presented at an ARSC presentation in Chapel Hill, North Carolina, in 2014, about these Gray Audograph Discs...their genesis, discovery and contents, go to the ATA website www.atvaudio.com and click on ARSC which can be found within the right column on the ATA Home Page.

GRAY AUDIOGRAPH (1946 - 1976)

History:

The Gray Audograph was a dictation disc recording format introduced in 1946 by the Gray Manufacturing Company in the United States. It recorded sound by pressing grooves into soft vinyl discs, like the competing, but incompatible, SoundScriber and VoiceWriter formats.

Audiograph discs were blue thin plastic flexible discs, recorded from the inside to the outside, the opposite of conventional phonograph discs. Another difference compared to phonograph discs (78, 45, 33 & 1/2) was that the audiograph was driven by a surface-mounted wheel, meaning that its recording and playback speed decreased toward the edge of the disc (like the Compact Disc and other digital formats), to keep a more constant linear velocity and to improve playing time.

The mandatory speed variation correction requires playback on an Audograph player, which ATA possesses and has modified, allowing line out output connections, direct line, to the input of any other recording format device.

Gray Audograph discs were available in three different sizes. The 6-inch diameter disc offered 10 minutes of recording time per side, the 6 & 1/2" disc offered 15 minutes per side. The
8 & 1/2" disc, which is extant in the ATA archive, offered 30 minutes of recording per side.

ALONG WITH THE DICTABELT RECORDER, A GRAY AUDOGRAPH RECORDER MACHINE CAPTURED THE ACTUAL LIVE SOUNDS RECORDED OF GUN SHOTS AT THE TIME OF THE JOHN F. KENNEDY ASSASSINATION. THESE AUDIO SOUNDS WERE USED IN THE REVIEW BY THE UNITED STATES HOUSE SELECT COMMITTEE ON ASSASSINATIONS.

THE GRAY COMPANY CEASED MANUFACTURE OF THE GRAY AUDOGRAPH RECORDER IN 1976.

#10310: JACK BENNY PROGRAM, THE

Order

1957-10-07, CBS, 27 min.

October 28th, 1950- September 15th, 1964 (CBS)
September 25th,1964-September 10th, 1965 (NBC)    

Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston.   

Guests: Spike Jones, George Burns. 

Announcer: Don Wilson.

#11224: "EDSEL SHOW," STARRING FRANK SINATRA AND BING CROSBY, THE

Order

1957-10-13, CBS, 50 min.

Wall-To-Wall music is the order of the day as Bing Crosby and Frank Sinatra host this CBS-TV musical special. Also appearing are Rosemary Clooney, Louis Armstrong, Bing's son Lindsay Crosby, The Four Preps, clarinetist Edmond Hall, Trombonist James Young, pianist Billy Kyle, Bob Hope, bass player Squire Gersh, drummer Barrett Deems, The Norman Luboff Choir, The dance team of Conn and Mann, and Warren Hull, spokesperson for Edsel.    

This special has a "mystery guest" which turns out to be Bob Hope.
The Edsel Show special replaced the Ed Sullivan Show for this night with the same sponsor. It was one of the year's most successful programs, though it failed to increase the popularity of the Edsel automobile. 
It has been credited as Bing Crosby's real television breakthrough, setting the pattern for his many television specials to come. He subsequently signed a lucrative contract with ABC under which he would produce two specials per year. 

Ending theme for tonight's show: "On The Sunny Side Of The Street." 

Narrated by Warren Hull. 

This special was to be the first CBS rebroadcast on video tape. It was rebroadcast in the Western part of the United States following its original airing live on the East Coast. 

Duplicate of 10495.

#10495: "EDSEL SHOW," STARRING FRANK SINATRA AND BING CROSBY, THE

Order

1957-10-13, CBS, 50 min.

Wall-To-Wall music is the order of the day as Bing Crosby and Frank Sinatra host this CBS-TV musical special. Also appearing are Rosemary Clooney, Louis Armstrong, Bing's son Lindsay Crosby, The Four Preps, clarinetist Edmond Hall, Trombonist James Young, pianist Billy Kyle, Bob Hope, bass player Squire Gersh, drummer Barrett Deems, The Norman Luboff Choir, The dance team of Conn and Mann, and Warren Hull, spokesperson for Edsel.    

This special was to be the first CBS rebroadcast on video tape.

#5945: ANNIE GET YOUR GUN

Order

1957-11-27, WNBC, 96 min.

Mary Martin in the starring role of this television adaptation from the 1946 Broadway hit.

#13258: LUX SHOW STARRING ROSEMARY CLOONEY, THE

Order

1957-12-11, NBC, 8 min.

September 26th, 1957-June 19th, 1958

A half-hour musical variety series starring Rosemary Clooney, sponsored by Lux Detergent. The show also featured the Modernizes singing group.

Opening of the show is heard with brief  Rosemary Clooney singing "Keep Your Sunny Side Up." 

Actor Charles Laughton makes his singing debut. He sings a symposium of different cultures.

After some humorous exchanges between Clooney and Laughton they sing a few duets songs together including "On Moonlight Bay," and "Waiting for the Robert E. Lee."

#7199: JACK BENNY PROGRAM

Order

1958-03-25, CBS, 00 min.

October 28th, 1950- September 15th, 1964 (CBS)
September 25th,1964-September 10th, 1965 (NBC)    

Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston.   

"Railroad Station." Comedy

Eddie "Rochester" Anderson,Don Wilson,Mel Blanc,Herb Vigran

#KS12: TONIGHT SHOW STARRING JACK PAAR, THE

Order

1958-07-21, NBC, 19 min.

July 29, 1957- March 30,1962.

For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960.

Guests: Gypsy Rose Lee, Genevieve, singer Mary Lou Brewer.

Genevieve and Jose Melis discuss live show from Havana, Cuba on July 28th (First Anniversary Show).
Jack with anecdotes about Jose.

#9413: TONIGHT SHOW STARRING JACK PAAR, THE

Order

1958-11-05, WRCA, 51 min.

July 29, 1957- March 30,1962.

Second broadcast from Hollywood, California.

Announcer, Hy Averback subs for Hugh Downs.

This was the first time that Oscar Levant appeared on television with Jack Paar. Apparently the repartee between Paar & Levant were in some questionable taste...some humor at the expense of the mentally and emotionally disturbed. Oscar Levant, having himself been in sanitariums for the mentally ill would always quip with sharp humor about conditions at these facilities as well as his own neurosis and foibles. There would be ten future guest appearances by Oscar Levant on the JACK PAAR TONIGHT SHOW, as well as the JACK PAAR PROGRAM and one special JACK PAAR PRESENTS.

Those guest appearances included: (*Indicates archived by ATA).

TONIGHT SHOW JACK PAAR
1-*November 5, 1958
2-November 12, 1958
3-March 6, 1959
4-March 13, 1959
5-April 26, 1960

JACK PAAR PRESENTS
*April 26, 1960

JACK PAAR PROGRAM
1-*December 7, 1962
2-*February 8, 1963
3-October `11, 1963
4-*April 3, 1964
5-*December 18, 1964

On the segment "It's All Relative" guest is Peter Menjou, son of Adolf Menjou.

*Most of this series does not survive in any broadcast form. Kinescopes were discarded, burned, decomposed...whereabouts unknown. 2" Quadruplex Video Tape was expensive ($300 for a one hour reel), weighting 26 pounds, requiring great storage space. Video Tape could easily be erased and was used for new program recordings...retained briefly for a re-run and then erased or discarded. Legend has it that even Jack Paar himself hired a junk man to come to his home garage and paid to have JACK PAAR TONIGHT SHOW recordings discarded (reels of kinescopes and video tapes) that were now cluttering up his space.

During this era in television history archiving television programming was not a primary concern or vision, and considered an arcane pursuit.

ARCHIVAL TELEVISION AUDIO, INC. retains over 70 complete and excerpt JACK PAAR TONIGHT SHOW air checks (34 hours), including the complete Jack Paar's first anniversary telecast which was broadcast live from Havana Cuba (June 28, 1958). These originally recorded off the air pristine sound direct line 1/4" reel to reel audio tracks, recorded at the time of the original broadcasts, represent the only broadcast record of a "lost" visual telecast. ATA is the largest single repository (one collection), in the United Sates of Jack Paar Tonight Shows recordings. The combined archives of The Library of Congress, Paley Center for Media, and UCLA Film & Television retain a composite total of 13 hours of representative JACK PAAR TONIGHT SHOW broadcasts excerpts...none complete.

For four years and eight months Jack Paar reigned supreme as host of the TONIGHT SHOW with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melis, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conreid, Peggy Cass, Cliff (Charley Weaver) Arquette, and Jonathan Winters.

Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host. There were 20 different substitute hosts for Paar over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. All together there were 243 broadcasts which had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first video-taped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10,1959. Beginning July 20, 1959 Jack Paar began taking off Monday nights & guest hosts would substitute for him (approximately on alternate Mondays). The first color broadcast aired on September 19, 1960.
Theme music, "Everything is Coming Up Roses" was first used beginning in the Fall of 1959.

Location broadcast telecasts of the program telecast away from the Hudson Theater in New York City occurred 14 times during this series run.

Jan. 13-17, 1958 Miami Beach, Florida
July 28, 1958 Havana,Cuba
Nov. 3-21, 1958 Hollywood, California
March 2-20, 1959 Hollywood, California
Nov. 10-12, 1959 Nassau, Bahamas (Video Tape)
Nov. 30- Dec. 10, 1959 Hollywood, California
March 28-April 1, 1960 London, England (Video Tape)
Nov.9-11, 1960 Hawaii (Video Tape) - b&w
Nov.14-24, 1960 Hollywood, California
March 21-24, 1961 London, England (Video Tape)
Sept. 12-14, 1961 West Berlin (Video Tape)
Nov. 14-17, 1961 Hollywood, California (Tape)
Nov. 21-24, 1961 Hollywood, California (Tape)
March 13-16, 1962 London, England (Video Tape)

#7465: VOICE OF FIRESTONE

Order

1959-02-09, ABC, 00 min.

September 5, 1949-June 7, 1954 (NBC); June 14, 1954-June 16, 1963 (ABC). This was the first broadcast of the season. "Voice of Firestone," which began on radio in 1928, was a Monday-night perennial for more than two decades before coming to television in 1949; for the next five years it was simulcast on NBC radio and television, until a dispute between the sponsor and the network over the Monday time slot led Firestone to shift the program to ABC. The half-hour musical series presented all kinds of music, but emphasized classical and semiclassical selections. Each week a guest celebrity was featured, and for many years the principal guests came from the Metropolitan Opera Company. The Firestone Orchestra was conducted by Howard Barlow, and the show was hosted by John Daly during its years on ABC; Hugh James was the announcer. "Voice of Firestone" was seen as a series of specials from 1959 until 1962; it returned as a weekly series in the fall of 1962 for a final season (September 30, 1962-June 16, 1963).  

"Mardi Gras Night."

#10377: VOICE OF FIRESTONE

Order

1959-02-09, ABC, 08 min.

September 5, 1949-June 7, 1954 (NBC); June 14, 1954-June 16, 1963 (ABC). This was the first broadcast of the season. "Voice of Firestone," which began on radio in 1928, was a Monday-night perennial for more than two decades before coming to television in 1949; for the next five years it was simulcast on NBC radio and television, until a dispute between the sponsor and the network over the Monday time slot led Firestone to shift the program to ABC. The half-hour musical series presented all kinds of music, but emphasized classical and semiclassical selections. Each week a guest celebrity was featured, and for many years the principal guests came from the Metropolitan Opera Company. The Firestone Orchestra was conducted by Howard Barlow, and the show was hosted by John Daly during its years on ABC; Hugh James was the announcer. "Voice of Firestone" was seen as a series of specials from 1959 until 1962; it returned as a weekly series in the fall of 1962 for a final season (September 30, 1962-June 16, 1963).  

"Mardi Gras Night."         

Highlights: "Way Down Yonder In New Orleans" 
"South Rampart Street Parade"
"Muskrat Ramble"
"Miss New Orleans" 

Duplicate of #7465.

#7124: TRIBUTE TO MANIE SACKS: 'SOME OF MANIE'S FRIENDS'

Order

1959-03-03, NBC, 00 min.

Stars from the world of show business pay tribute to the late Emanuel Sacks. Their tribute takes the form of 90 minutes of entertainment by Sid Caesar, Rosemary Clooney, Nat King Cole, Perry Como, Eddie Fisher, Betty Grable, Bob Hope, Harry James, Tony Martin, Dinah Shore, Frank Sinatra, Kay Starr, Danny Thomas, Jack Webb and Jane Wyman.
Some of these entertainers were discovered by Manie Sacks, all of them were helped by him during his years as a record-industry and television executive and all were his friends.

#GJ10700A: TONIGHT SHOW STARRING JACK PAAR, THE

Order

1959-12-03, NBC, 45 min.

July 29, 1957 - March 30, 1962

Hugh Downs opens the show and mentions tonight's guests. 

First appearance of Jack Benny as a guest with Paar who praises Benny and thanks him for the time when Jack had the opportunity to work for 18 weeks replacing Benny on the radio. 

Many topics are covered during this very informal interview. 
Jack mentions the previous night when Mickey Rooney was intoxicated on the Paar show...praise for Red Skelton, his love of the violin (took lessons from age 6 years of age to age 15), 
Benny kids about Frank Remley a best friend who is always intoxicated, and praises Jack Paar for his ability to do The Tonight Show five nights a week. He says that Paar is a good straight man, comedian and listens to his guests. 

There is a segment where Paar shows movies of celebrity homes in Hollywood, including those belonging to Bob Hope, Harold Lloyd, Douglas Fairbanks and Mary Pickford, Dinah and George Montgomery, Paar gives comment when seeing the clips. 

Sterling Hayden is introduced and discusses his recent voyage with his four children, ages 11, 10, 9, and 7 and others (total of seven children and thirteen adults) on his ship to Tahiti, leaving Hollywood California avoiding a court ordered injunction not to sail. 
Hayden discusses the circumstances and why he wanted to get away from Hollywood which does not suit him for numerous reasons. 

NOTE: This air check of the  Sterling Hayden interview is complete, unlike other holdings in the ATA collection.

#11610: BELL TELEPHONE HOUR, THE: "A GIFT OF MUSIC"

Order

1959-12-18, WNBC, 60 min.

January 12, 1959-April 26, 1968. This musical series ran semi regularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra. 

Christmas music of four nations is performed by songstress Rosemary Clooney, the Lennon Sisters, Opera stars, Lisa Della Casa and Giorgio Tozzi, the Little Singers Of Paris, 13-year-old violinist Penny Ambrose, and the Agnes de Mille Dance Theater. Thomas Mitchell is host for the one-hour live show.

Highlights:

Music From France
"Jeanette Isabella,"- Little Singers
"Angels We Have Heard On High,"- Little Singers
"Sleep Of The Child Jesus,"- Little Singers
"O, Holy Night,"- Lisa Della Casa, Little Singers

Music From England

"Deck The Halls,"- Lisa Della Casa
"God Rest Ye Merry Gentlemen," "Good King Wenceslas,"- Giorgio Tozzi 
"I Saw Three Ships,"- Lisa Della Casa, Giorgio Tozzi
"Coventry Carol,"- Lisa Della Casa, Giorgio Tozzi 

Music From Austria

"O Tannenbaum,"- Rosemary Clooney 
"Ave Maria,"- Penny Ambrose 

Music From America 

"Christmas Song"- Rosemary Clooney
"Rudolph The Red-Nosed Reindeer,"- Lennon Sisters 
"Jingle Bells," " Merry Little Christmas," "Night Before Christmas,"- Rosemary Clooney, Lennon Sisters 

Ballet

"Cherry Tree Carol,"- De Mille Dance Theater

#11614: BELL TELEPHONE HOUR,THE: "WE TWO"

Order

1960-01-15, WNBC, 60 min.

January 12, 1959-April 26, 1968. This musical series ran semi regularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra. 

Performers are pianists Jose And Amparo Iturbi, brother and sister, and these husband and wife teams : singer Dorothy Collins and bandleader-songwriter husband Raymond Scott, the dance team of Marge and Gower Champion, singers Gordon and Sheila MacRae, and guitarist Les Paul and singer Mary Ford. Donald Voorhees conducts the Bell Telephone Orchestra.

Highlights:

Jazz songs for two: Dorothy Collins and the Raymond Scott Quintet offer Scott compositions: "Toy Trumpet," "18th Century Drawing Room," "Huckleberry Duck," "Twilight In Turkey," "Mountain High, Valley Low," and "Powerhouse."

Dancing To Nursery Rhymes, with Marge and Gower Champion, choreographed by Gower Champion. 

Songs From Broadway: Gordon and Sheila MacRae sing "We're In Love With New York," "Take Me Along," " I Once Knew A Fella," "Do Re Mi," "Little Tin Box," "Everything's Coming Up Roses," and "Together, Wherever We Go."

New Sound In Song: Les Paul and Mary Ford perform "World Is Waiting For The Sunrise," "Vaya con Dios," "Good Old Summertime," "Sidewalks Of New York," and "Song In Blue." 

Music For Two Pianos: Jose and Amparo Iturbi play the first of Chabrier's "Three Romantic Waltzes," and the second of Infante's "Three Andalusian Dances."

#10232: FABULOUS FIFTIES

Order

1960-01-31, CBS, 120 min.

A two hour SPECIAL (live, tape, film) as Television takes a look at the decade just ended, the 1950's, its very first.

Henry Fonda is the host for this two hour show.

Jackie Gleason's career is reviewed and he performs the "Sid, Old Kid" number from his Broadway musical "Take Me Along."

Rex Harrison and Julie Andrews present "My Fair Lady" songs. Rex: "I'm an Ordinary Man," Julie: "Just You Wait."

Shelley Berman, and Mike Nichols and Elaine May, comedians who were introduced in the Fifties, lampoon psychiatry.

Dick Van Dyke pantomimes dance crazes of the decade. His partner for this comedy sequence is Maria Karnilova.

Betty Comden and Adolph Green satirize cultural developments of the Fifties.

Suzy Parker represents the American woman in "The Creature," a film sequence created by Richard Avedon. Charles and Ray Eames also have contributed film features.

Television and Movies are highlighted in clips from outstanding productions, including memorable the Mary Martin-Ethel Merman TV Show produced by Leland Hayward, who also has produced tonight's show.

Excerpts from records illustrate music of the fifties.

News Events of the decade are recalled by eyewitnesses. The voices of these men are heard: Arthur Godfrey, sports stars Roy Campanella, and Roger Bannister, sea captain Kurt Carlsen, submarine camp;ain William Anderson, explorer Edmund Hillary.

Eric Sevareid provides commentary during the show, which consists of live, tape, and film elements.

#7125: FRANK SINATRA TIMEX SHOW

Order

1960-02-15, ABC, 52 min.

    An ABC Television Video Taped Special.
Tonight Frank Sinatra surrounds himself with FIVE celebrated admired women...Lena Horne, Mary Costa, Juliet Prowse, Barbara Heller and Mrs. Eleanor Roosevelt. 

Sinatra offers a valentine to all of his female special guests. 
Over fifteen musical numbers are staged. 

John Cameron Swayze is the spokesman for sponsor Timex.

#6950A: ACADEMY AWARDS: 32ND ANNUAL

Order

1960-04-04, NBC, min.

Bob Hope is host for the 32nd Annual Academy Awards ceremony, telecast live from the RKO Pantages Theater, in Hollywood, California.

#6957: TONY AWARDS, 14TH ANNUAL, THE

Order

1960-04-24, CBS, 66 min.

The Best of the Broadway Stage is honored with a Tony Award, founded in 1947. Eddie Albert is host. Announcer is Bern Bennett.

#7005: BING CROSBY OLDSMOBILE SPECIAL

Order

1960-10-05, ABC, 00 min.

#869: BING CROSBY SHOW, THE

Order

1960-10-05, WABC, 52 min.

Bing Crosby welcomes his guests Rosemary Clooney, Carol Lawrence, Johnny Mercer, and children Dennis Crosby, Philip Crosby and Lindsay Crosby. They all contribute in verse to this retrospective of Radio's Golden Age when Radio was king.

#7112: ELEANOR ROOSEVELT: DIAMOND JUBILEE PLUS ONE

Order

1960-10-07, NBC, 57 min.

SPECIAL BROADCAST SALUTE
Mrs. FDR was 75 a year ago and as a plus one year follow up, a tribute to her (and the Eleanor Roosevelt Cancer Research Foundation located in Denver Colorado) by admirers in and out of show business.  Many perform during this one-hour 76th birthday celebration special broadcast. A brief distinguished appearance by Mrs. Roosevelt and a simple spiritualization of "You'll Never Walk Alone" by Mahalia Jackson rounds out an excellent broadcast. 

Bob Hope hosts this program which presents show business personalities and other prominent people.
Executive Producer, David Susskind.
Written for Television by  Reginald Rose.

HIGHLIGHTS:

"You Gotta Start Off Each Day With A Song," "I Believe, "Treat A Piano Nice".....Jimmy Durante

"Do Re Mi"....................Mary Martin accompanied by Richard Rodgers on the piano.

"If"..................................Carol Channing

"The Continental".....................Nat King Cole

"The Bee"......................................Jack Benny

NOTE:
This follow up broadcast to last years ELEANOR ROOSEVELT: DIAMOND JUBILEE (October 7, 1959) is different which had Arthur Godfrey hosting and including guests Eddie Cantor, Ralph Bellamy Gertrude Berg, Art Carney, Henry Fonda and Cedric Hardwicke among others. 

NOTE: Occasional original slight broadcast audio static and hum.

#7229: JACK BENNY PROGRAM

Order

1960-11-06, CBS, 00 min.

October 28th, 1950- September 15th, 1964 (CBS)
September 25th,1964-September 10th, 1965 (NBC)    

Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston.

#54: PETER PAN

Order

1960-12-08, WNBC, 97 min.

Mary Martin and Cyril Ritchard star in this classic James M. Barrie fantasy.

#1326: BELL TELEPHONE HOUR: MUSIC HATH CHARMS, THE

Order

1961-01-20, WNBC, 52 min.

January 12, 1959-April 26, 1968. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.

#11620: BELL TELEPHONE HOUR, THE: "MUSIC HATH CHARMS"

Order

1961-01-20, WNBC, 60 min.

January 12, 1959-April 26, 1968. This musical series ran semi regularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra. 

Guests: Valerie Bettis, Rosemary Clooney, Eddie Condon and his Jazz All-Stars, Dolores Gray, Sally Ann Howes, Mildred Miller, Dirk Sanders, and Zizi Jeanmaire.

432 records found for MARY

#10424: A SALUTE TO BING CROSBY (20 YEARS IN SHOW BUSINESS)

1951-01-09, CBS, 30 min.

#10673: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

1951-08-03, WNBC, min.

#10683: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

1951-10-17, WNBC, min.

#10688: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

1951-11-05, WNBC, min.

#11004: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

1954-02-25, WNBC, min.

#9490: RODGERS & HAMMERSTEIN REVUE SPECIAL

1954-03-28, NBC, 71 min.

#11583: DAVE GARROWAY SHOW, THE

1954-06-04, NBC, 14 min.

#10578: PERRY COMO SHOW, THE

1954-06-13, CBS, 14 min.

#10598: ED SULLIVAN SHOW (TOAST OF THE TOWN)

1954-07-11, CBS, min.

#10603: ED SULLIVAN SHOW (TOAST OF THE TOWN)

1954-07-11, CBS, min.

#10940B: CBS NEWS WITH DOUGLAS EDWARDS

1954-08-02, CBS, min.

#5998: TOGETHER WITH MUSIC

1955-10-22, WCBS, 80 min.

#10704: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

1955-12-12, WNBC, 47 min.

#10690: TEX AND JINX SHOW: TEX MCCRARY AND JINX FALKENBURG

1956-04-04, WNBC, min.

#11344: MAX LIEBMAN SPECTACULAR: MUSIC OF GEORGE GERSHWIN, THE

1956-05-12, NBC, 60 min.

#13023: HALLMARK HALL OF FAME, THE

1956-10-28, WNBC, 10 min.

#13064: JACK BENNY PROGRAM, THE

1956-11-04, CBS, 16 min.

#GR2: MATINEE THEATER: "FRANKENSTEIN"

1956-11-06, WNBC, 50 min.

#13094: JACK BENNY PROGRAM, THE

1956-11-18, CBS, 6 min.

#10533: ROSEMARY CLOONEY SHOW, THE

1957-05-28, SYN, 6 min.

#11409: SEARCH FOR TOMORROW

1957-09-02, CBS, 15 min.

#11426: SEARCH FOR TOMORROW

1957-09-03, KNXT, 15 min.

#11476: SEARCH FOR TOMORROW

1957-09-05, KNXT, 15 min.

#11490: CLIMAX

1957-09-05, KNXT, 60 min.

#11497: SEARCH FOR TOMORROW

1957-09-06, KNXT, 15 min.

#10310: JACK BENNY PROGRAM, THE

1957-10-07, CBS, 27 min.

#11224: "EDSEL SHOW," STARRING FRANK SINATRA AND BING CROSBY, THE

1957-10-13, CBS, 50 min.

#10495: "EDSEL SHOW," STARRING FRANK SINATRA AND BING CROSBY, THE

1957-10-13, CBS, 50 min.

#5945: ANNIE GET YOUR GUN

1957-11-27, WNBC, 96 min.

#13258: LUX SHOW STARRING ROSEMARY CLOONEY, THE

1957-12-11, NBC, 8 min.

#7199: JACK BENNY PROGRAM

1958-03-25, CBS, 00 min.

#KS12: TONIGHT SHOW STARRING JACK PAAR, THE

1958-07-21, NBC, 19 min.

#9413: TONIGHT SHOW STARRING JACK PAAR, THE

1958-11-05, WRCA, 51 min.

#7465: VOICE OF FIRESTONE

1959-02-09, ABC, 00 min.

#10377: VOICE OF FIRESTONE

1959-02-09, ABC, 08 min.

#7124: TRIBUTE TO MANIE SACKS: 'SOME OF MANIE'S FRIENDS'

1959-03-03, NBC, 00 min.

#GJ10700A: TONIGHT SHOW STARRING JACK PAAR, THE

1959-12-03, NBC, 45 min.

#11610: BELL TELEPHONE HOUR, THE: "A GIFT OF MUSIC"

1959-12-18, WNBC, 60 min.

#11614: BELL TELEPHONE HOUR,THE: "WE TWO"

1960-01-15, WNBC, 60 min.