Search Results
12 records found for Phil Gries
#GR1: MATINEE THEATER: "TELL TALE HEART"
1956-11-06, WNBC, min.
October 31, 1955 - June 13, 1958 In this classic Edgar Allan Poe story, a man commits a murder, but afterward the victim's beating heart torments the murderer's mind. This peerless COMPLETE AUDIO AIR CHECK broadcast of "TELL TALE HEART" was restored by Phil Gries from an original 1/4" reel to reel audio tape discovered and obtained by archivist scholar Gary Rutkowski (www.savetv.tv). Matinee Theater was an American anthology series that aired on NBC during the Golden Age of Television, from October 31, 1955,[ to June 27, 1958 (including last two weeks of re-runs). The series was broadcast on NBC television daily from 3 p.m. to 4 p.m. Eastern Time, was usually broadcast LIVE and most of the time in color. Its live dramas were presented with minimal sets and costumes. During its three-year series run there were 7000 different performers employed, and hundreds of talented writers and directors who navigated its peerless television run, using 4,200 sets, 210,000 props, and 15,000 costumes. Host for this series was John Conti. When it was broadcast, Matinee Theater was the most heavily promoted regularly scheduled daytime program on U.S. television, part of the network's effort to "provide quality 'adult' entertainment" in daytime programming. The series ended in 1958 due to its high budget, much higher than any other daytime program in television. A few of the later episodes were preserved on color film for later rerun syndication under different titles. Almost all of the 590 original and 81 re-run episodes broadcast have been wiped, destroyed, or are not known to exist any longer in any broadcast form (audio or kinescope, or video). UCLA Film & TV has 20 different kinescopes in their archive, most not accessible. The Library of Congress has only TWO kinescopes in their archive, each on separate negative audio tracks, and separate 16mm Negative Kinescopes. However in 1986 when NBC TV donated 18,600 of their extant kinescopes (1948-1975) to the LOC, their was notated at that time SEVEN separate kinescopes (separate 16mm films and corresponding Negative Optical Sound tracks), for the broadcast dates, Oct. 31, 1955, Nov. 28, 1955, Nov. 29, 1955, Dec. 20, 1955, April 20, 1956, May 3, 1956 & Dec. 10, 1956. The Paley Center for Media has THREE composite kinescopes in their archive. *The following FOUR television audio air checks are extant in the Archival Television Audio, Inc. collection, archived on ¼” reel to reel audio tape originally used to record these programs off the air, direct line, resulting in excellent playback sound, at the time of their original broadcast. *All FOUR titles extant in the ATA archive are not included in the above three major USA media archives. 6 Nov. 1956 ATA#GR1 The Tell-Tale Heart – November 6, 1956 In this classic Edgar Allan Poe story, a man commits a murder, but afterward the victim's beating heart torments the murderer's mind. 5 Feb. 1957 ATA#GR2 Frankenstein – February 5, 1957 An obsessed scientist assembles a living being from parts of exhumed corpses. 15 Feb. 1957 ATA#GR3 The Others – February 15, 1957 7.8 (21) A governess battles to save two children from an evil supernatural force. 13 Dec. 1956 ATA#GR4 Captain Brassbound's Conversion – December 13, 1957 Captain Brassbound, a vindictive sea captain, swears revenge on a visiting Englishman whom he blames for his mother's death. *The scripts of the MATINEE THEATER series' later episodes are archived at the University of California, Los Angeles.#GR2: MATINEE THEATER: "FRANKENSTEIN"
1956-11-06, WNBC, 50 min.
- John Conte ,
- Phil Gries ,
- Tom Tyron ,
- Christine White ,
- Vic Perrin ,
- Primo Carnera ,
- Mary Shelley ,
- Gary Rutkowski
October 31, 1955 - June 13, 1958 Broadcast Live this ambitious TV adaptation of the 1818 novel, FRANKESTEIN, written by English author Mary Shelley, was televised in Color on NBC TV, February 5, 1957, starring Tom Tyron, Christine White, Vic Perrin & Primo Carnera as the Monster. While 55 references in WIKIPEDA of actors playing the role of the Monster (stage, film, TV), over the years, there is not mention of the characterization and version performed by Primo Carnera. This peerless COMPLETE AUDIO AIR CHECK broadcast of FRNKENSTEIN was restored by Phil Gries from an original 1/4" reel to reel audio tape discovered and obtained by archivist scholar Gary Rutkowski (www.savetv.tv). Matinee Theater was an American anthology series that aired on NBC during the Golden Age of Television, from October 31, 1955,[ to June 27, 1958 (including last two weeks of re-runs). The series was broadcast on NBC television daily from 3 p.m. to 4 p.m. Eastern Time, was usually broadcast LIVE and most of the time in color. Its live dramas were presented with minimal sets and costumes. During its three-year series run there were 7000 different performers employed, and hundreds of talented writers and directors who navigated its peerless television run, using 4,200 sets, 210,000 props, and 15,000 costumes. Host for this series was John Conti. When it was broadcast, Matinee Theater was the most heavily promoted regularly scheduled daytime program on U.S. television, part of the network's effort to "provide quality 'adult' entertainment" in daytime programming. The series ended in 1958 due to its high budget, much higher than any other daytime program in television. A few of the later episodes were preserved on color film for later rerun syndication under different titles. Almost all of the 590 original and 81 re-run episodes broadcast have been wiped, destroyed, or are not known to exist any longer in any broadcast form (audio or kinescope, or video). UCLA Film & TV has 20 different kinescopes in their archive, most not accessible. The Library of Congress has only TWO kinescopes in their archive, each on separate negative audio tracks, and separate 16mm Negative Kinescopes. However in 1986 when NBC TV donated 18,600 of their extant kinescopes (1948-1975) to the LOC, their was notated at that time SEVEN separate kinescopes (separate 16mm films and corresponding Negative Optical Sound tracks), for the broadcast dates, Oct. 31, 1955, Nov. 28, 1955, Nov. 29, 1955, Dec. 20, 1955, April 20, 1956, May 3, 1956 & Dec. 10, 1956. The Paley Center for Media has THREE composite kinescopes in their archive. *The following FOUR television audio air checks are extant in the Archival Television Audio, Inc. collection, archived on ¼” reel to reel audio tape originally used to record these programs off the air, direct line, resulting in excellent playback sound, at the time of their original broadcast. *All FOUR titles extant in the ATA archive are not included in the above three major USA media archives. 6 Nov. 1956 ATA#GR1 The Tell-Tale Heart – November 6, 1956 In this classic Edgar Allan Poe story, a man commits a murder, but afterward the victim's beating heart torments the murderer's mind. 5 Feb. 1957 ATA#GR2 Frankenstein – February 5, 1957 An obsessed scientist assembles a living being from parts of exhumed corpses. 15 Feb. 1957 ATA#GR3 The Others – February 15, 1957 7.8 (21) A governess battles to save two children from an evil supernatural force. 13 Dec. 1956 ATA#GR4 Captain Brassbound's Conversion – December 13, 1957 Captain Brassbound, a vindictive sea captain, swears revenge on a visiting Englishman whom he blames for his mother's death. *The scripts of the MATINEE THEATER series' later episodes are archived at the University of California, Los Angeles.#GR4: MATINEE THEATER: "CAPTAIN BRASSBOUND'S CONVERSION"
1956-12-13, WNBC, min.
- John Conte ,
- Val Dufour ,
- Phil Gries ,
- Gary Rutkowski ,
- Norman Alden ,
- Robert Burton ,
- Patricia Cutts ,
- Terence de Marney ,
- Bryan Grant ,
- Lumsden Hare ,
- Edmund Hashim ,
- Peter Mamakos ,
- Justice Watson
October 31, 1955 - June 13, 1958 Captain Brassbound, a vindictive sea captain, swears revenge on a visiting Englishman whom he blames for his mother's death. This peerless COMPLETE AUDIO AIR CHECK broadcast of "CAPTAIN BRASSBOUND'S CONVERSION" was restored by Phil Gries from an original 1/4" reel to reel audio tape discovered and obtained by archivist scholar Gary Rutkowski (www.savetv.tv). Matinee Theater was an American anthology series that aired on NBC during the Golden Age of Television, from October 31, 1955,[ to June 27, 1958 (including last two weeks of re-runs). The series was broadcast on NBC television daily from 3 p.m. to 4 p.m. Eastern Time, was usually broadcast LIVE and most of the time in color. Its live dramas were presented with minimal sets and costumes. During its three-year series run there were 7000 different performers employed, and hundreds of talented writers and directors who navigated its peerless television run, using 4,200 sets, 210,000 props, and 15,000 costumes. Host for this series was John Conti. When it was broadcast, Matinee Theater was the most heavily promoted regularly scheduled daytime program on U.S. television, part of the network's effort to "provide quality 'adult' entertainment" in daytime programming. The series ended in 1958 due to its high budget, much higher than any other daytime program in television. A few of the later episodes were preserved on color film for later rerun syndication under different titles. Almost all of the 590 original and 81 re-run episodes broadcast have been wiped, destroyed, or are not known to exist any longer in any broadcast form (audio or kinescope, or video). UCLA Film & TV has 20 different kinescopes in their archive, most not accessible. The Library of Congress has only TWO kinescopes in their archive, each on separate negative audio tracks, and separate 16mm Negative Kinescopes. However in 1986 when NBC TV donated 18,600 of their extant kinescopes (1948-1975) to the LOC, their was notated at that time SEVEN separate kinescopes (separate 16mm films and corresponding Negative Optical Sound tracks), for the broadcast dates, Oct. 31, 1955, Nov. 28, 1955, Nov. 29, 1955, Dec. 20, 1955, April 20, 1956, May 3, 1956 & Dec. 10, 1956. The Paley Center for Media has THREE composite kinescopes in their archive. *The following FOUR television audio air checks are extant in the Archival Television Audio, Inc. collection, archived on ¼” reel to reel audio tape originally used to record these programs off the air, direct line, resulting in excellent playback sound, at the time of their original broadcast. *All FOUR titles extant in the ATA archive are not included in the above three major USA media archives. 6 Nov. 1956 ATA#GR1 The Tell-Tale Heart – November 6, 1956 In this classic Edgar Allan Poe story, a man commits a murder, but afterward the victim's beating heart torments the murderer's mind. 5 Feb. 1957 ATA#GR2 Frankenstein – February 5, 1957 An obsessed scientist assembles a living being from parts of exhumed corpses. 15 Feb. 1957 ATA#GR3 The Others – February 15, 1957 7.8 (21) A governess battles to save two children from an evil supernatural force. 13 Dec. 1956 ATA#GR4 Captain Brassbound's Conversion – December 13, 1957 Captain Brassbound, a vindictive sea captain, swears revenge on a visiting Englishman whom he blames for his mother's death. *The scripts of the MATINEE THEATER series' later episodes are archived at the University of California, Los Angeles.#GR3: MATINEE THEATER: "THE OTHERS"
1957-02-15, WNBC, min.
- John Conte ,
- Phil Gries ,
- Gary Rutkowski ,
- Tommy Kirk ,
- Geoffrey Toone ,
- Sarah Churchill ,
- Karen Sue Trent
October 31, 1955 - June 13, 1958 A governess battles to save two children from an evil supernatural force. This peerless COMPLETE AUDIO AIR CHECK broadcast of THE OTHERS was restored by Phil Gries from an original 1/4" reel to reel audio tape discovered and obtained by archivist scholar Gary Rutkowski (www.savetv.tv). Matinee Theater was an American anthology series that aired on NBC during the Golden Age of Television, from October 31, 1955,[ to June 27, 1958 (including last two weeks of re-runs). The series was broadcast on NBC television daily from 3 p.m. to 4 p.m. Eastern Time, was usually broadcast LIVE and most of the time in color. Its live dramas were presented with minimal sets and costumes. During its three-year series run there were 7000 different performers employed, and hundreds of talented writers and directors who navigated its peerless television run, using 4,200 sets, 210,000 props, and 15,000 costumes. Host for this series was John Conti. When it was broadcast, Matinee Theater was the most heavily promoted regularly scheduled daytime program on U.S. television, part of the network's effort to "provide quality 'adult' entertainment" in daytime programming. The series ended in 1958 due to its high budget, much higher than any other daytime program in television. A few of the later episodes were preserved on color film for later rerun syndication under different titles. Almost all of the 590 original and 81 re-run episodes broadcast have been wiped, destroyed, or are not known to exist any longer in any broadcast form (audio or kinescope, or video). UCLA Film & TV has 20 different kinescopes in their archive, most not accessible. The Library of Congress has only TWO kinescopes in their archive, each on separate negative audio tracks, and separate 16mm Negative Kinescopes. However in 1986 when NBC TV donated 18,600 of their extant kinescopes (1948-1975) to the LOC, their was notated at that time SEVEN separate kinescopes (separate 16mm films and corresponding Negative Optical Sound tracks), for the broadcast dates, Oct. 31, 1955, Nov. 28, 1955, Nov. 29, 1955, Dec. 20, 1955, April 20, 1956, May 3, 1956 & Dec. 10, 1956. The Paley Center for Media has THREE composite kinescopes in their archive. *The following FOUR television audio air checks are extant in the Archival Television Audio, Inc. collection, archived on ¼” reel to reel audio tape originally used to record these programs off the air, direct line, resulting in excellent playback sound, at the time of their original broadcast. *All FOUR titles extant in the ATA archive are not included in the above three major USA media archives. 6 Nov. 1956 ATA#GR1 The Tell-Tale Heart – November 6, 1956 In this classic Edgar Allan Poe story, a man commits a murder, but afterward the victim's beating heart torments the murderer's mind. 5 Feb. 1957 ATA#GR2 Frankenstein – February 5, 1957 An obsessed scientist assembles a living being from parts of exhumed corpses. 15 Feb. 1957 ATA#GR3 The Others – February 15, 1957 7.8 (21) A governess battles to save two children from an evil supernatural force. 13 Dec. 1956 ATA#GR4 Captain Brassbound's Conversion – December 13, 1957 Captain Brassbound, a vindictive sea captain, swears revenge on a visiting Englishman whom he blames for his mother's death. *The scripts of the MATINEE THEATER series' later episodes are archived at the University of California, Los Angeles.#21: READING OUT LOUD WITH JACKIE ROBINSON
1960-05-01, WNTA, 4 min.
- Jackie Robinson ,
- Sharon Robinson ,
- Rachel Robinson ,
- Garry Moore ,
- Richard M. Nixon ,
- Richard Boone ,
- Cyril Ritchard ,
- John F. Kennedy ,
- Eleanor Roosevelt ,
- Abraham Lincoln ,
- Dr. Frank Baxter ,
- David Robinson ,
- Jose Ferrer ,
- Harry Belafonte ,
- Julie Harris ,
- Phil Gries ,
- Archibald Macleish ,
- Virginia Winslow Hopper Mathews ,
- Pearl S. Buck ,
- Eva Le Gallienne ,
- Charles H. Percy
February 7 - May 15, 1960 (Sundays 2:30-3:00pm) READING OUT LOUD was a filmed series comprised of 15 shows. Famous people read favorite literary selections aloud to a small group of children, often relatives of the reader. Jackie Robinson recites the Gettysburg Address to his son David Robinson, daughter Sharon Robinson and wife Rachel Robinson. NOTE: Letter dated Feb. 26, 2008, sent by Rachel Robinson, related to this TV Audio Air Check recorded off the air by Phil Gries on May 1, 1960. THE JACKIE ROBINSON FOUNDATION One Hudson Square 75 Varick Street New York, NY 10013 February 26, 2008 Phil Gries Archival Television Audio, Inc. 209 Sea Cliff Avenue Sea Cliff, NY 11579 Dear Phil, My apologies for the long delay in responding to your kindness in sending me the exciting television audio air check of "Reading Out Loud" the TV program where Jack read the Gettysburg Address. The Jackie Robinson Foundation has moved and we are still locating material sent to us as we reorganize the archives. I listened to the tape with ABSOLUE AMAZEMENT and DELIGHT. Sharon and I remember vividly the family trip to Washington, and we have one photo taken on that occasion. Unfortunately, I do not have any memory of the recording session. It is thrilling for us to hear Jackie's reading of this profound speech, and we shall cherish and preserve it in our archives. Most importantly, we will share it with our visitors to the Jackie Robinson Museum now being designed. Phil, I am deeply grateful to you for this historic gift, and we will appropriately attribute it's preservation to you. Sincerely, Rachel Robinson cc: Della Britton Baeza Len Coleman In 1960, Virginia Winslow Hopper Mathews created the children's TV series Reading Out Loud with Westinghouse Broadcasting executive Mike Santangelo. Produced by Westinghouse for syndication, the show featured notable figures reading aloud their favorite books to children. It debuted February 7, 1960 on the five TV stations owned by Westinghouse in Baltimore, Boston, Cleveland, Pittsburgh, and San Francisco. READING OUT LOUD also opened on WNTA-TV, prior it becoming a Public Television Station (WNET-TV) in New York City and 46 educational TV stations around the U.S. It ran as a half-hour show for 15 episodes. The following is a list of READING OUT LOUD guest appearances detailing the 15 broadcasts aired, and the dates when they were broadcast. -First Lady Eleanor Roosevelt (reading Just So Stories by Rudyard Kipling to a group of children)-March 13, 1960. -Actress Julie Harris (reading selections from Kenneth Grahame's "The Wind in The Willows")-May 8, 1960. -Actor José Ferrer (reading Huckleberry Finn)-March 20, 1960. -Brooklyn Dodger baseball player (1947-1956) Jackie Robinson (reading excerpts from Stephen Crane's "The Red Badge of Courage" & Abraham Lincoln's "Gettysburg Address" to his family)-May 1, 1960. -Entertainer Garry Moore (reading The Legend of Sleepy Hollow)-Feb. 28, 1960. -Novelist Pearl S. Buck (reading Chinese fables)-April 17, 1960. -Actor Cyril Ritchard (reading "Alice in Wonderland")-Feb. 14 or 21(?)1960. -Singer/actor/activist Harry Belafonte (reading a collection of Jamaican folk tale about Anansi the Spider Man)-April 10, 1960. -Senator John F. Kennedy (reading The Emergence of Lincoln)-March 27, 1960. -Pulitzer Prize poet and author, Archibald MacLeish (reading poems of Walter de la Mare to his grandchildren)-Feb. 7, 1960 -Stage Actress Eva Le Gallienne (reading Hans Christian Anderson's "The Ugly Duckling.")-March 6, 1960. -Vice President Richard M. Nixon (reading Carl Sandburg's "Abe Lincoln Grows Up" to his daughter Julie and her friends)-April 3, 1960. -UCLA English Professor / TV Educator Dr. Frank Baxter (reading the poem "The Rime of the Ancient Mariner.")-April 24, 1960. -Industrialist Charles H. Percy (reading from James Daugherty's "Poor Richard" to his children)-May 15, 1960. -Actor Richard Boone (reading Bret Harte's story "How Santa Claus Came to Simpson's Bar.")-February 21, 1960.#13458: REMEMBER US
1960-07-18, WNEW, 53 min.
- Adolf Hitler ,
- Steven Spielberg ,
- Phil Gries ,
- Quentin Reynolds ,
- Dr. Gisela Perl ,
- Sonia Weissman ,
- Janus T. ,
- Alain Resnais ,
- Leo Weissman
1 Results found for Remember Us Pages: [1] #13458: REMEMBER US 1960-07-18, WNEW, 53 min. Adolf Hitler, Steven Spielberg, Phil Gries, Quentin Reynolds, Dr. Gisela Perl, Sonia Weissman, Janus T., Alain Resnais, Leo Weissman A one-hour special report. Jewish survivors of Nazi atrocities and concentration camp horrors relate their past experiences. Quentin Reynolds is the host and narrator. "Nothing will remain of the Jewish question but a cemetery," predicted a Nazi official when Hitler's program to eliminate the Jews began in earnest in 1938. Many hundreds of cemeteries were filled before Allied victory halted the Nazi machine in 1945. " REMEMBER US" tells the story of the millions of European Jews who died in prison camps and ghettos during this period, and of those who survived. Past footage from Documentary films and the accounts of survivors are used to piece together a scenario of life and death as Typhus and starvation stalked the prisoners in the concentration camps, including Dachau, Breendonk, Auschwitz, and Buchenwald, and the ghettos of Europe. Survivors describe the resistance which met the Nazi decision to destroy the Warsaw ghetto in 1943, lengthy trips by cattle-car to extermination camps, capricious selection of gas chamber victims and the endless variety of tortures devised to bring about Hitler's "final solution to the Jewish question." Broadcast on TV on July 18, 1960 the "Remember Us" documentary which includes fragments from Alain Resnais' classic 32 minute documentary "Night and Fog" (1956), opens with Dr. Gisela Perl, a survivor of the Holocaust...a Romanian Jewish Gynecologist deported to Auschwitz in 1944 where she attended hundreds of women as an inmate gynecologist without the bare necessities to perform her work, delegated by Josef Mengele. She relates her ordeal and the ordeal of others. Dr. Pearl is best known for her published book in 1948, "I Was A Doctor in Auschwitz." Other interviews are spoken by Sonia Weissman (the donor's wife and a survivor of the Warsaw Ghetto), Janus T (a survivor of the Warsaw Ghetto Uprising), and Mr. Friedman (a survivor of Treblinka). The film goes on to use various well-known pieces of footage that exists in the USHMM film and video collection, such as German newsreel footage, Nuremberg War Crimes Trials as well as other war crimes trials, Mogilev gas van footage, etc. The film also incorporates well-known still photographs. There are images (and montages) of equipment used for medical experimentation, for example, a gynecological examination chair. At the conclusion of the film, narrator Quentin Reynolds warns that the Holocaust must be remembered least it be repeated. He then goes on to use the example of apartheid in South Africa as a [contemporary] parallel. This extraordinary documentary which aired only one time and repeated in the early morning hours, has been forgotten by the public for 60 years. It is not available anywhere except for an archived 16mm print donated as a gift by Leo Weissman to the US Holocaust Memorial Museum in 1999. A Variety Review described the film this way. "In the annals of TV there probably hasn't been a more gruesome documentary than 'Remember Us,' an hour-length depiction of the Nazi horror which ravaged 9 ,000,000 lives and left an open sore on humanity's conscience. No better telling has caught the diabolic character of the Nazi regime than ‘Remember Us,' a title which echoes and re-echoes when matched against the past and present. It is not easy to view and listen; a terrible reminder for an unsettled world." NOTE: It is interesting that 34 years later Steven Spielberg would initiate a six-year worldwide filming coordination, producing "Survivors of the Shoah Visual History Foundation Project," begun in 1994 with the objective to film/video tape and preserve first-person survivor testimonies and encourage their use in education. In 1985, Phil Gries, founder and owner of Archival Television Audio, Inc. filmed a series of interviews with filmmaker Cluade Lanzmann which were televised each night for four consecutive nights after an installment of Lanzmann's nine-and-a-half-hour epic documentary SHOAH, broadcast on PBS in its entirety. Nine years later, in December of 1994, Gries worked on the documentary "Bringing the Holocaust Home," for the BBC. For many days Gries filmed inside the new United States Holocaust Museum, in Washington DC, which was closed to the public during filming sequences within the museum. This landmark institution opened its doors for the first time to the public the previous year (March 22, 1993). Half - a- year later Phil Gries was hired to film 15 interviews (July-September 1995)...65 hours of footage with holocaust survivors for the Spielberg Survivors of the Shoah project at the inception of Spielberg's visionary undertaking. Most of the sit-down interviews, conducted by social workers, averaged two hours long. Some of them lasted four hours long. It was ALWAYS an emotional experience for subject and all others involved in the filming. Today, twenty-five years later,112,000 thousand hours (52,000 separate interviews) of interviews have been conducted around the world and are preserved in The Visual History Archive. The material is digitized, and fully searchable via indexed keywords, and hyperlinked to the minute at the USC SHOAH FOUNDATION in Southern California. REMEMBER US (1960), in many respects one of the first of such documentary retrospectives of the horrors of the Holocaust, remains a most hard hitting and compelling reminder and retelling of the horrors of Adolf Hitler's "solution to the Jewish question."#13334A: OPEN END WITH DAVID SUSSKIND:"THE MOVIE MAKERS"
1960-10-02, WNTA, 168 min.
- David Susskind ,
- George Cukor ,
- Jerry Wald ,
- Greer Garson ,
- Richard Brooks ,
- Phil Gries ,
- Fred Zimmermann ,
- Gary Rugowski ,
- Daniel Taradash
OPEN END WITH DAVID SUSSKIND:"THE MOVIE MAKERS" 1960-10-02, WNTA, 168 min. David Susskind, George Cukor, Jerry Wald, Greer Garson, Fred Zinnemann, Daniel Taradash, Richard Brooks, Gary Rutowski, Phil Gries October 14, 1958 - August 13, 1961 OPEN END with David Susskind: (WNTA Channel 13 Television) September 10, 1961-May 5, 1963 OPEN END with David Susskind (WNEW Channel 5 Television) June 9, 1963 last show of the season broadcast on WPIX TV. October 13, 1963-September 18, 1966 OPEN END with David Susskind (WPIX Channel 11 Television) October 2, 1966-September, 1986 DAVID SUSSKIND SHOW (SYNDICATED, PBS, and COMMERCIAL STATIONS, including WNEW, New York). OPEN END with David Susskind: (WNTA Channel 13 Television) "THE MOVIE MAKERS" Open End with David Susskind was a break through talk show which literally had no time limit. The show ended when host, moderator David Susskind felt all conversation points were discussed. Some of these marathon telecasts lasted over four hours!. The series premiered on WNTA Channel 13 in New York for three years, an independent broadcast station, before it would become a Public Broadcast Station in 1962. A myriad of talk show guests, famous, infamous and unknown, found a forum on OPEN END. Subjects varied focusing on usually one topic...show business, politics, the economy, sex, education, crime, etc. Typically, many guests would discuss a subject sitting around a large table with David Susskind moderating, leading his guests with baited questions. For the first three years, of its 26 year existence as a regular series, WNTA TV was home to OPEN END which originally began its broadcasts on Tuesday nights, switching on January 18, 1959 to Sunday nights...a future Sunday evening time slot of the week where it would remain until 1986, for the rest of its run. The OPEN END with David Susskind Show also found syndication across the country and each market would run the program at different time at their own discretion. Most all of the telecasts were recorded on video tape, 2" quadruplex. Most shows were kept for a year or two like THE MOVIE MAKERS broadcast which was re-run on August 6, 1961 almost a year after it was first telecast on October 2, 1960. By this time the show ran for a finite three hours long. Thus the re-run of the MOVIE MAKERS had some footage deleted from its original telecast which aired for over 3 hours & 30 minutes, 2 hours & 48 minutes sans commercials. The re-run of "THE MOVIE MAKERS" was the next to last broadcast telecast on WNTA channel 13. On September 10, 1961 the show moved to WNEW Channel 5 METROMEDIA in New York, and its air time was reduced to a two hour show. Sadly, most all of OPEN END broadcasts, later re titled THE DAVID SUSSKIND SHOW, commencing with the Oct. 2, 1966 broadcast, were wiped (erased), destroyed, discarded...whereabouts unknown, representing most shows produced and telecast during the late 1950's, 1960's and early 1970's. "THE MOVIE MAKERS" panel consisted of directors, Fred Zinnemann, Richard Brooks, George Cukor, writer / producer Jerry Wald and screen writer Daniel Taradash. The round table discussion is lively and continued for almost three hours, sans commercials, many topics and anecdotal stories are exchanged. Discussion related to critics, the picture making business of today and yesterday, technical financial challenges of the day, budgets, the independent film making movement, working methods, the motion picture code, the black list, stars of tomorrow, new wave cinema, and commentary related to Hollywood legends, past and present, including D.W. Griffith, Charlie Chaplin, Marilyn Monroe, Marlon Brando, Jerry Lewis, John Wayne, Burt Lancaster, Humphrey Bogart, and so many others. One unexpected highlight on this show is the inclusion of actress Greer Garson who can be heard in the studio, and at one point comes to the round-table and serves sandwiches to the panel, where Susskind and the panel start to inject their own humor related to this gesture. NOTE: This broadcast was discovered by archivist / scholar, Gary Rutowski (www.savetv.tv) in the form of six two sided 10" acetate discs. Eleven sides were cut. Each side plays for approximately 15 minutes. The discs were recorded by Soundcraft, at the request of guest panelist, Daniel Taradash, who paid for this service. Soundcraft was a duplication company with headquarters located in New York City at the time. The acetates were recorded at 33 &1/3rpm. Phil Gries cleaned, restored and digitized the acetates in December of 2018. The ten hour process required some equalization, slight volume adjustments, elimination of occasional unwanted extraneous recorded content, occasional moderate unwanted electronic "noise," host David Susskind lead ins to commercial breaks (ten) and four additional edits eliminating gaps, clicks, and chatter. Thus, segues from one disc side to another, eleven in all, were created producing a listening flow as a complete program which never goes to commercial. This rare example of a very early OPEN END with David Susskind broadcast is an historic and important television audio air check, now archived and preserved in digital form, reprocessed with continuity by Phil Gries (all extraneous audio eliminated), for the first time in six decades. It is considered one of the oldest surviving OPEN END complete broadcasts, extant.#867: A 1960'S RADIO BROADCAST ADDITION: WINS ACTION ALERT NEWS
1961-02-04, WINS, 3 min.
1010 WINS RADIO New York switched from top forty to the first successful all-news station April 19, 1965. Previously when WINS was one of four premiere New York Rock 'N' Roll radio stations only a few snippets of on the half hour five minute Dick Waffle "Newswatch" broadcasts are known to exist. This rare audio was recorded by Phil Gries at 10:55 AM from his Brooklyn New York home on Saturday morning, February 4, 1961. Dick Waffle reports at the "Newswatch." Waffle reports initial bulletins reporting the blizzard of '61. This third "knockout" blizzard of the winter accounted for a 17 consecutive day of temperatures below freezing, the longest in New York history. We also hear the 1010 WINS sign off as the WINS announcer reports that the next news bulletins will be heard will be at 11:25 AM. NOTE: The Blizzard of February 3 - 4, 1961 The storm, U.S. HEAVIEST SNOW STORM SINCE 1947 tied up the Northeast coast. It occurred toward the end of an extended cold snowy period that brought the temperature in New York's Central Park down to -2 (2 degrees below zero) on the morning of February 2nd. The storm reached blizzard proportions throughout much of the northeast and winds at LaGuardia airport gusted over 80 miles per hour on the 4th. Snowfall totals exceeded 20 inches over much of the region. Falling on top existing snow cover, including that left over from the "Kennedy inaugural" snowstorm on the 19-20th of January, the aftermath of the storm found near record snow cover over the region ranging from 2 to 2 1/2 feet in and around New York City up to nearly 4 feet around Newburg, New York. Snow began falling on the evening of February 3rd 1961, dumping six inches and continued through the morning of the 4th, with an additional 11.4 inches of snow piling up. The snow that fell on February 4th was heavy and wet and was driven by gale force winds. This was the third major snowstorm of the winter, following 15.4 inches on December 11th and 12th 1960, and 9.9 inches of snow recorded on January 19th and 20th. However, those storms were characterized by very cold temperatures while this storm saw temperatures rise from the upper 20's to the mid 30's during the afternoon of the 4th when the snow changed to rain. This was the second winter in a row to have two snowstorms of one foot or more.
#166A: HERE'S HOLLYWOOD
1962-03-09, WNBC, 18 min.
Helen O'Connell interviews Mr. Television, Milton Berle with his wife Ruth Berle form their Beverly Hill home. The initial discussion surrounds itself around the adoption of Bill (Little Billy) whom Milton and Ruth dote over. Milton states that his adopted son's name comes from respect and the Godfather of little Billy, Billy Wilder. Ruth and Milton talk about their nine year marriage and the reasons for adopting a child, late in life. Milton describes how motherhood had changed his and Ruth's way of life.Guest Jean Milinair, 17 years of age and a house guest is introduced. Milton relates anecdotes related to good friend, Buddy Hackett. Berle states to Helen O'connell the reason why he accepted the dramatic role in DOYLE AGAINS THE HOUSE, an Emmy Award winning teleproduction. He remembers how as a 13 year old kid he learned to manipulate playing cards very well. He was also the head of his drama class at school. Ruth mentions her relationship with Milton's mother, whom Milton states was his "rock" and guiding light in life. He talks about his father who passed away in 1938, a paint and varnish salesman, and his love for him. HIs mother Sandra would take Milton on the road from vaudeville house to vaudeville house and during these years Milton admits to not having a childhood of child friends his own age. Milton talks about his NBC Special TV broadcast to air this night with Jack Benny, Lena Horne and others. NOTE: This air check was recorded off the air by Phil Gries in 1962. It was dubbed in 1997 and given to Milton Berle. The master 1/4" inch reel to reel tape was located in 2023 and it had deteriorated to the extent that it did not play back properly...representing a non-playback tape with imperceptible volume. Phil Gries used a FlexArm with Q-Tip and isopropyl alcohol and a constant pressure of the tape redirecting the tape path over the playback head resurrecting the tape audio playback reproduction to a very decent level with additional EQ processing which is now quite acceptable and represented in the ATA collection.
#556: NBC'S FIRST LIVE BULLETINS AND LIVE COVERAGE OF THE ASSASSINATION OF PRESIDENT JOHN F. KENNEDY
1963-11-22, WNBC, 123 min.
- David Brinkley ,
- Joe Franklin ,
- Chet Huntley ,
- Dwight D. Eisenhower ,
- Frank McGee ,
- John F. Kennedy ,
- Irving R. Levine ,
- Merriman Smith ,
- Charles Murphy ,
- Don Pardo ,
- Barry Goldwater ,
- Richard Valeriani ,
- Charles Brehm ,
- Bill Ryan ,
- Robert MacNeil ,
- Jeff Pond ,
- Ed Silverman ,
- Tom Whalen ,
- Phil Gries ,
- Ron Simon ,
- Andrew K. Franklin ,
- Bill Mackey ,
- Samuel Brylawski
Discussion: Gries preserved lost NBC coverage of JFK assassination NBC television recorded over 70 hours and 25 minutes of coverage on President John F. Kennedy's assassination beginning on November 22nd and ending on November 25th, 1963. However, NBC failed to record the first two NBC television bulletins on Nov. 22, the first a local WNBC (NYC) TV bulletin, voiced by Don Pardo, at 1:45:03 to 1:45:30pm EST (27 seconds) & then an NBC NATIONAL bulletin at 1:46:45 - 1:47:53pm EST (68 seconds), and then subsequently an initial 3 minutes & 53 seconds of continuous coverage by Frank McGee, Chet Huntley and Bill Ryan, commencing at 1:53:12 to 1:57:05pm EST, before NBC TELEVISON began televising picture and sound, and preserving the broadcast, rolling 2" Quad Video Tape, the first Network to do so (Both CBS and ABC began continuous coverage was at 2:00pm EST). Amazingly, when there existed over 50 million television sets in the USA, ONLY Phil Gries, from his Brooklyn New York home, was in a position to audio tape record first NBC television coverage of these initial world changing historic broadcast events off the air, at the moment when the television generation came of age. The Kennedy Assassination coverage on television set a new standard for how breaking national stories could be delivered on TV. It was only in September 1963, that networks expanded their nightly news programs from 15 minutes to half-hour long broadcasts. Within an hour of the shooting, 68 percent of Americans had heard the news; within two hours, 92 percent had heard, and half of them found out from TV or radio. NBC TV clocked the most on air hours (70 hours 25 minutes) during its four day coverage, followed by ABC TV (60 hours), and CBS TV (55 hours). CBS used 600 employees, ABC used 500 employees, and NBC used 400 employees to televise their coverage all at an estimated cost of $225 million by todays value. Since 1963 the Television industry has greatly refined and expanded its abilities to deliver big and breaking stories, but with competition from the internet and social media, it will unlikely ever again hold a nation's attention the way it did that November weekend in 1963, when the first NBC TV bulletins broadcast by Don Pardo were to be the only historic recordings extant in broadcast history, recorded by one individual recording those historic moments on a tape recorder at his home in Brooklyn, New York. Phil Gries, founder and owner of Archival Television Audio Inc. used "American" Brand 1/4" reel to reel audio tape, recording, direct line, on his 1959 WEBCOR Stereo 1/4" reel to reel audiotape recorder (speed 3&3/4" IPS) which was connected to a 1949 ANDREA television set during the actual live NBC television broadcast. These historic soundtracks were donated by Phil Gries to the John F. Kennedy Library in Boston, MA, in 1995 (through archivist Bill Mackey), to Sam Brylawski representing The Library of Congress in Washington D.C. in 1997, and to archivist Ron Simon representing The Paley Center for Media in 2006. In addition, Archival Television Audio, Inc. duplicated a copy of these peerless bulletins and initial coverage to a stunned Don Pardo in 1998 on his 80th birthday...now confirming by ear and believing that a broadcast recording of his bulletins exist and not just as a memory. His May 1998 phone conversation with Phil Gries, recounting his memories announcing the first NBC TV bulletins can be heard on You Tube and on the ATA website (www.atvaudio.com) http://www.atvaudio.com/jfk.php Page at URL above contains letter from Gries describing how he taped the first four minutes of the NBC coverage. NBC did not archive this portion of its coverage, but Gries taped it and preserved it. In November 2013 these peerless recordings were donated by Phil Gries to Andrew K. Franklin, Senior Producer of NBC NIGHTLY NEWS for use on their 50th anniversary telecast, NBC NIGHTLY NEWS WITH BRIAN WILLIAMS (November 22, 2013). David Von Pein was given these recordings to be used on his definitive JFK website (http://dvp-video-audio-archive.blogspot.com) and uploaded to you tube in 2013. These first live NBC News Bulletins by Don Pardo would precede regular program cancellations and continuous NBC live coverage of this 20th century tragedy (the assassination of President John F. Kennedy) for the next three and a half days. The first two bulletins are heard. Bulletin number one (Local in NYC) is broadcast at 1:45:03 PM EST and airs for 27 seconds. Bulletin number two (National) is broadcast at 1:46:45 and airs for 68 seconds, followed by the first two hours of uninterrupted News coverage with NBC anchors Bill Ryan, Chet Huntley and Frank McGee. Seventy-one hours and twenty-seven minutes of continuous coverage begins with voice only on NBC at 1:53:12 PM, developing into picture and voice at 1:57:05 PM with CBS and ABC both starting their live continuous live on air person coverage at 2:00pm EST. The American Broadcasting Company was the first to go on air (RADIO) at 1:36:50pm EST voicing a bulletin by Don Gardiner. Like CBS TV, ABC TV came on with their first on air TV bulletin with logo slide being shown at 1:40 PM, and 1:41pm respectively. ABC would further have three more Bulletins all four voiced by Ed Silverman between 1:41 and 2:00pm before going live with video and tape rolling at 2:00pm. NBC TV actually went live with video and audio at 1:57:05 pm and as confirmed on Phil Gries' audio air check recorded off the air on to his television set with adjoining tape recorder, we hear a station identification BEEP at 2:00 pm (further provenance of this tape's authentic origin) which is NOT heard on the extant NBC TV recorded direct feed video tape that we are all familiar with and which resides in the National Archives. Furthermore, the Gries original audio tape has additional recorded audio material NOT originally duplicated and given as donations detailed above, or ever distributed or shared by anyone. There are live telephone reports from correspondent Robert MacNeil in Dallas, Texas. There are additional reports from Charles Murphy, David Brinkley and Marvin Agronsky. There is live coverage from the United Nations where the Secretary General expresses sorrow to all members of the Kennedy Family and to all the people in the United States. One minute of silence is observed by all delegates from the 111 member nations. There is continuing NBC coverage from station WBAP, the affiliate in Fort Worth, Texas with Newsman Tom Whalen. Eyewitness Charles Brehm recounts what he saw. There is the first live overseas report from Irving R. Levine from Rome and live coverage from outside the NBC building at Rockefeller Center, with its Mobile Unit searching out reactions from New Yorkers with reporter Jeff Pond. Correspondent Richard Valeriani reports live from the White House. There are statements from Senator Barry Goldwater and from former President, Dwight D. Eisenhower. It took an incident of this proportion to catapult television into the forefront as the world's number one communicator of news and special events. Television had come of age. NOTE: "FOUR DAYS: THE HISTORICAL RECORD OF THE DEATH OF PRESIDENT KENNEDY" compiled by The United Press International (Published by American Heritage Publishing Company, copyright 1964) details (reproductions of his teletype bulletins) United Press International's Merriman Smith, dean of the White House correspondents, description of his frantic rush to call the Dallas UPI bureau and communicate first reports of the JFK shooting. It was his UPI copy that came off an NBC Teletype machine in a newsroom in NYC that was read by Don Pardo. Because in 1963 it took an NBC camera 11 minutes to become "active," transmitting a visual signal, an NBC Bulletin Card was viewed at first by those tuning in to this station. It was chaotic on NBC where staff announcer Don Pardo made the first mention of the shooting. News reporter Frank McGee was pressed into service and was receiving his information over the phone from correspondent Robert McNeil in Dallas. TRIVIA NOTE: NBC's staff announcer Don Pardo's first local WNBC-TV bulletin interrupted the telecast of a Bachelor Father re-run which originally aired on May 26, 1960) Season 3, Episode 35 titled 'Bentley and the Beach Bum.' Also, interesting to note that on this day only three television programs broadcast LIVE prior to the assassination, none at the time when the shooting occurred. They were THE TODAY SHOW (NBC 7:00-9:00am, THE JOE FRANLKIN SHOW (WOR 12:15-1:30pm), and TELL US MORE (WNBC 1:00-1:30pm). NBC's television coverage, although informative, did not match the gravitas of Walter Cronkite at his desk at CBS Television, who would be visually seen on the air beginning at 2:00pm Eastern Standard Time, informing the country of the death of the president as he removed his glasses and struggled with his emotions. Surprisingly, in the end, more people tuned into NBC’s coverage, anchored by Chet Huntley and David Brinkley, than Walter Cronkite and the CBS crew. It would be several years before Cronkite was able to overtake NBC’s popular anchor duo in the ratings. NOTE: The first two NBC Television Bulletins (the first local WNBC, and the second National NBC) and the initial 3:53 seconds of continuous NATIONAL coverage commencing at 1:53:05pm EST was never recorded by NBC or by any other known broadcasting station or broadcasting archive. Amazingly, the only existing broadcast recording in the world of NBC'S TV historic television transmission was audio recorded off the air by Phil Gries, founder of Archival Television Audio, Inc., viewing his 1949 Andrea television at that moment, and fortuitously pushing the record button on his Webcor Stereophonic 1/4" reel to reel audio tape recorder during the actual live Television Broadcast. To date, no other audio or video has ever surfaced documenting these moments, an incredible fact since 50 million American homes approximating 200 million viewers were tuned in to their television set comprehending that the President of the United States was shot in Dallas. In today's digital world where every minutia event is recorded and preserved, it is mind boggling to this archivist that I uniquely recorded a television broadcast related to an assassination of an American President, at a time in 1963, when there were over 55 million television sets in the homes of people living in the United States. These historic sound tracks have been donated to the John F. Kennedy Library in Boston, MA, The Library of Congress in Washington D.C. and The Paley Center for Media in NY and LA. The November 22, 1963 John F. Kennedy NBC-TV assassination bulletins and the initial lost 3:53 seconds of NBC live coverage are the most significant treasure in our archive. They personify just a part of the many thousands of other Archival Television Audio original, off the air, television soundtracks which represent the only record of a specific TV broadcast known to exist. Archival Television Audio, Inc. is the largest repository in the world collecting, preserving and archiving "lost" vintage TELEVISION BROADCASTS surviving as AUDIO ONLY, focusing and representing the years 1946 thru 1982. The ATA website (www.atvaudio.com) initiated in 2002 offers the public access to searching for tens of thousands of programs by title, performer, and date. TIMELINE of the John F. Kennedy assassination Television and Radio Coverage (from 1:36 p.m. EST - 2:00 p.m. EST) From Wikipedia, the free encyclopedia NATIONALLY The first national news bulletin of the shooting came over the ABC Radio Network at 12:36:50pm CST/1:36:50pm EST.[183] The most complete recording of the initial ABC bulletins came from WRUL, a New York-based station transmitting to Latin America and Europe on shortwave, which was featuring a program of MOR album music when the shooting took place. At the time, Doris Day's recording of "Hooray for Hollywood", from the 1937 musical film Hollywood Hotel, was playing, when newscaster Don Gardiner broke in with the developments: We interrupt this program to bring you a special bulletin from ABC Radio. [Takes a short pause] Here is a special bulletin from Dallas, Texas: (Reading UPI bulletin) 'THREE SHOTS WERE FIRED AT PRESIDENT KENNEDY'S MOTORCADE TODAY IN DOWNTOWN DALLAS, TEXAS.'[184] This is ABC Radio. To repeat: 'in Dallas, Texas, three shots were fired at President Kennedy's motorcade today.' The president now making a two-day speaking tour of Texas. We're going to stand by for more details on the incident in Dallas. Stay tuned to your ABC station for further details. Now, we return you to your regular program.[183] 4 minutes after ABC's radio bulletin, CBS was the first to break the news over television at 12:40pm CST/1:40pm EST. The network interrupted its live production broadcast of "As the World Turns" with a "CBS News Bulletin" bumper slide and Walter Cronkite, reporting from the CBS Radio flash booth, filed an audio-only report. Immediate live video of Cronkite wasn't possible at that time, as no camera in the CBS newsroom was active and ready. TV cameras of that era used image orthicon tubes which took approximately 20 minutes to warm up.[185] "Here is a bulletin from CBS News. In Dallas, Texas, three shots were fired at President Kennedy's motorcade in downtown Dallas.' The first reports say that President Kennedy has been seriously wounded by this shooting. More details just arrived. These details about the same as previously: President Kennedy shot today just as his motorcade left downtown Dallas. Mrs. Kennedy jumped up and grabbed Mr. Kennedy, she called 'Oh, no!' The motorcade sped on. United Press says that the wounds for President Kennedy perhaps could be fatal. Repeating, a bulletin from CBS News: 'President Kennedy has been shot by a would-be assassin in Dallas, Texas.' Stay tuned to CBS News for further details." Initially, the live broadcast of "As the World Turns," which included commercials, continued, with the actors unaware of the earlier pre-emption for the bulletin. Cronkite later filed two bonus audio-only bulletins to interrupt programming, the last of which interrupted a Friskies dog food commercial and pre-empted the remaining running time of As the World Turns. Only the bulletin bumper remained on screen while a television camera warmed up, until 2:00 p.m. EST. Cronkite stated in a later interview that this event was responsible for a new CBS network policy of always having a "hot camera" available to the newsroom to avoid this difficulty in the future.[186] At that time, As the World Turns was the runaway top-rated daytime show, and ABC and NBC made no concerted effort to compete with CBS in the time slot; as a result, the other television networks weren't on the air in the Eastern and Central Time Zones. Various programs were being broadcast through their affiliate stations.[187] From their main headquarters in New York, WABC-TV's first bulletin came from Ed Silverman at 1:41 p.m. EST, interrupting reruns of The Ann Sothern Show on the East Coast and Father Knows Best in the Mountain Time Zone. ABC-TV was not feeding programming to its affiliates in the Pacific Time Zone at that hour. At the same time of ABC-TV's first bulletin, NBC Radio reported the first of three "Hotline Bulletins", each preceded by a "talk-up alert" which gave all NBC-affiliated stations 30 seconds to join their parent network. Three minutes later, at 1:45:03pm EST Don Pardo broke into WNBC-TV's local rerun of "Bachelor Father" with the news, saying (reading AP bulletin) 'PRESIDENT KENNEDY WAS SHOT TODAY JUST AS HIS MOTORCADE LEFT DOWNTOWN DALLAS. MRS. KENNEDY JUMPED UP AND GRABBED MR. KENNEDY. SHE CRIED 'OH NO!' THE MOTORCADE SPED ON.'[166][188][189] (Videotape of the NBC bulletins have been assumed "lost" as they did not start recording coverage until minutes later. However, audio engineer Phil Gries rolled tape on a set of audio recordings on a 1/4" reel to reel audiotape recorder. These have been donated to the John F. Kennedy Presidential Library.[190] However, NBC, in its book on the coverage of the assassination, mentioned the bulletins, as stated on the Associated Press wire report from which Don Pardo read.)[189] At 1:53:12pm (EST), NBC broke into programming with an NBC Network bumper slide and Chet Huntley and Bill Ryan began informing the viewers what was going on as it happened.[189] However, NBC's camera was not ready and the coverage was limited to audio-only reports as recorded by Phil Gries (3 minutes & 53 seconds), as CBS' coverage had been to that point. Other than for two audio-only bulletins (one following the initial report), ABC TV did not break into its stations' programming at all, instead waiting until the network was to return to broadcasting at 2:00pm Eastern Standard Time to begin its coverage. At 1:57:05pm EST, just as Frank McGee joined the reporting, NBC began broadcasting the report as their camera was ready and working.[190] Three minutes later, at 2:00pm EST, CBS' camera was finally ready and Cronkite appeared on the air after a brief station break, with ABC beginning its coverage at the same time. Radio coverage was reported by Don Gardiner (ABC), Allan Jackson (CBS), and (after a top-of-the-hour newscast) by Peter Hackes and Edwin Neuman (NBC).#558: KILLING OF LEE HARVEY OSWALD BY JACK RUBY, THE
1963-11-24, WNBC, 25 min.
- Frank McGee ,
- John F. Kennedy ,
- Chief Stevenson ,
- Tom Pettit ,
- Bill Ryan ,
- Lee Harvey Oswald ,
- Jack Ruby ,
- Phil Gries
Live NBC News Coverage of the Sunday murder of accused President John F. Kennedy's assassin, Lee Harvey Oswald by Jack Ruby. Jeff Edwards from station KHJ in Los Angeles reports on the scene. There are interviews with eyewitnesses and press members. From the Dallas Police Department basement, Oswald is removed by stretcher. There are statements from the Captain of the Dallas Police, Chief Stevenson. There are initial reports from NBC News Correspondent Tom Pettit as to the identity of Jack Ruby, Oswald's assailant. Following, first 6 minutes of Frank McGee and Bill Ryan reporting at the NBC Studios with continuing coverage. They summarize events with details known at this time. NOTE: Recorded off the air by Phil Gries, Founder and Owner of Archival Television Audio, while watching this broadcasts as it was being televised live on WNBC TV (NEW YORK).
#8491: MACY'S THANKSGIVING DAY PARADE: 46TH ANNUAL, THE
1972-11-23, NBC, 120 min.
- John Raitt ,
- Lorne Greene ,
- Donna Fargo ,
- Betty White ,
- Bill Anderson ,
- Joe Gargiola ,
- Dance Theater of Harlem ,
- Santa Claus ,
- Walt Disney Float ,
- West Point Glee Club ,
- Phil Gries
The annual Macy's Thanksgiving Day Parade in New York City, one of the world's largest parades, is presented by the U.S. based department store chain Macy's. The parade started in 1924, tying it for the second-oldest Thanksgiving parade in the United States with America's Thanksgiving Parade in Detroit (both parades being four years younger than Philadelphia's Thanksgiving Day Parade). The two-hour parade is held in Manhattan from 10:00 a.m. to 12:00 p.m. Eastern Standard Time on Thanksgiving Day, and has been televised nationally on NBC since 1952. Employees at Macy's department stores have the option of marching in the parade The 46th Annual Macy's Thanksgiving Day Parade telecast live from New York City. Hosts; Lorne Green and Betty White who have co-hosted The Macy's Thanksgiving Day Parade from 1963-1972. Scheduled to be in the parade and perform are Bill Anderson, The Dance Theater of Harlem, The World of Walt Disney, Donna Fargo, Jody Miller, John Raitt, Rockettes, West Point Glee Club. Joe Garagiola opens the broadcast congratulating Lorne Green and Betty White on their tenth consecutive appearance co-hosting the parade. Also noted that this telecast marks the 25th time, since 1945, that NBC Television has broadcast the Macy's Thanksgiving Day Parade, either locally or nationally. From 1942 to 1944 the Parade was cancelled during World War 2. It should come as no surprise that many of the telecasts from the 1950s thru the early 1970's are lost, or not known to presently exist in any broadcast form, and only TWO pre-1980 parade exists in full. One archived segment of the November 22, 1973 NBC MACY's THANKSGIVING DAY PARADE resides at The Paley Center for Media, and a segment of the November 26, 1959 CBS coverage of the THANKSGIVING DAY PARADE is archived at The Paley Center for Media. Not one pre-1980 TV Thanksgiving Day Parade is archived by The Library of Congress or by UCLA Film & Television Archive. Network broadcast Kinescopes and Video were either discarded, wiped, or never recorded. Video recording software (3/4" U-Matic) was first released to the Public at great cost in 1971, and the Betamax (1975) and JVC VHS (1976) gave the public a means to record television broadcasts off the air, but, to date, it seems nobody at home elected to record a complete parade and kept it making the 1971-1979 parades more likely to be found possibly only as clips than the 1952-1971 parades. Certain footage from old telecasts has been shown in anniversary specials, showing that some still exist. Bootleg copies circa 1980 to the present have been posted on You Tube...most all playback reflecting poor to fair quality till the 2000's. During the first television years, the parade went through changes. Many of the parade's most iconic balloons were introduced in this period, such as Popeye, Bullwinkle, the Happy Dragon, Underdog, Smokey Bear, Linus the Lionhearted, Sinclair's Dino, and the first two Snoopy balloons. The toy float concept was introduced in the 1960s, with a turkey-shaped one, introduced in 1973, eventually becoming parade mascot Tom Turkey. A few notable lost parades include the 1956 parade (when Mighty Mouse crashed at Herald Square), 1965 (the debut of Underdog), and 1971 (when all the balloons had to be removed due to bad weather). Macy's Thanksgiving Day Parade (partially found NBC broadcasts of parade; 1953-1980) The Macy's Thanksgiving Day Parade is an annual event held in New York City every Thanksgiving Day. The Parade was founded in 1924 as a Christmas pageant by Macy's immigrant employees who wanted to celebrate the holiday, akin to parades held for special occasions in Europe. The Parade is perhaps best known for its iconic helium balloons that depict characters from pop culture such as cartoon characters, brand mascots, and original Macy's characters. History Since 1953, NBC has held the telecast rights to the Parade prior to this, CBS broadcasted the Parade. NBC's broadcast of the Parade traditionally lasts three hours, with the first hour dedicated to performances by Broadway musicals and the Parade progressing to the finish line. The other two hours consist of the Parade itself, which features giant balloons, floats, cultural performances, celebrity appearances, and musical/talent ensembles. The Parade ends with Santa Claus riding on his own float, signaling the unofficial arrival of the holiday season. Hosts of the NBC telecast have included such personalities as Lorne Greene, Betty White (from 1963 to 1972), Kent McCord, Martin Milner (1973), Ed McMahon (from 1974 to 1981), Helen Reddy (1975), Bryant Gumbel (from 1977 to 1980 and 1982 to 1984). Availability Out of the 28 Parade broadcasts that aired on NBC between 1953 and 1980, only two (1959 & 1976) of them have surfaced in full. Video recording equipment was not readily available to the general public until 1971, meaning the 1953-1970 broadcasts have a lower chance of being found than the 1971-1980 broadcasts. Clips from various pre-1980 telecasts have been used in Parade anniversary specials produced by NBC, meaning at least parts of the broadcasts remain in the NBC archives. Notably lost parades include the 1956 Parade (when all balloons succumbed to blustery winds, with Mighty Mouse crashing in front of NBC cameras), 1960 (the debut of the Happy Dragon, Macy's longest-running singular balloon to date) and 1971 (when all the balloons had to be removed due to heavy winds and rain). Status List of Parades recorded (Kinescope/Video Tape/ Audio). # Year Status Notes 01 1953 Lost 02 1954 Lost 03 1955 Lost 04 1956 Lost 05 1957 Lost Phil Gries founder of Archival Television Audio, Inc. filmed two minutes of color 8mm film at the parade capturing images of Bill "Hopalong Cassidy" Boyd riding his horse Topper, the debut of the Popeye Balloon, and the Turkey Balloon, and the Soldier Balloon. 06 1958 Partially Found. Clips of the Spaceman balloon exist, and Phil Gries founder of Archival Television Audio, Inc. filmed three minutes of 8mm color film at the parade capturing images of actor George Montgomery on horseback, Benny Goodman and band float, and the Spaceman balloon navigated by crane (helium-in-flated balloons this one year was not used because the government missile program caused a cutback in helium supplies for civilian use), 07 1959 Found (Complete Kinescope) 08 1960 Lost 09 1961 Partially Found A clip of one of the Marching Bands exist online. Partially Found Footage of Donald Duck was used as part of a special in 2011 and footage of Bullwinkle was used in 2016. 10 1962 Audio of the final five minutes ending including arrival of Santa Claus and sign off is archived in the collection of Archival Television Audio, Inc. 11 1963 Partially Found. Footage of the start was used as part of a special in 2011. 12 1964 Partially Found 13 1965 Partially Found. Footage of the Dino balloon and the Monroe Girls Corp exist online and can be viewed on You Tube and on Facebook. 14 1966 Audio Exists of the complete parade archived in the collection of Archival Television audio, Inc. (two hours). 15 1967 Partially Found Audio of the Carlisle High School Marching Band and the first few seconds of The Happening's performance on the "Rock Candy Mountain" float exists on You Tube. 16 1968 Lost 17 1969 Partially Found Footage of the Broadway cast of Jimmy Performing exists, as does the complete audio air check archived in the collection of Archival Television Audio, Inc. (two hours). 18 1970 Partially Found Stills of Dino and Donald Duck exist. 19 1971 Partially Found. 20 1972 The complete audio air check of the parade is archived in the collection of Archival Television Audio, Inc. (two hours). 21 1973 The complete audio air check of the parade is archived in the collection of Archival Television Audio, Inc. (two hours). 22 1974 Partially Found 23 1975 Partially Found Audio of the Christian County High School Band exists on YouTube. 24 1976 Found, and the complete Audio Audio Air Check is archived in the collection of Archival Television Audio, Inc. 25 1977 The complete 173 minute TV Audio Air Check is archived in the collection of Archival Television Audio, Inc. (Partial NBC and CBS television broadcasts audio recoded as broadcast simultaneously). 26 1978 Partially Found CBS' unofficial airing of the Parade is found; however, NBC's broadcast remains lost. 27 1979 Partially Found. 28 1980 Partially Lost. The majority of the 1980 Parade is found with approximately 30 minutes missing. Surviving Videos: | The 1959 Parade, the oldest surviving parade in full. The 1976 Parade, the 2nd oldest surviving parade in full. Parts of the 1972 Parade. The intro, band performances and Santa Claus from the 1979 Parade. Wrangler Belles performance from the 1971 parade. Wrangler Belles performance from the 1973 parade. Wrangler Belles performance from the 1977 parade and longer introduction to the 1977 Parade. The Broadway Cast of Jimmy Performing "The Mayor of New York" in 1969. Diana Ross's famous appearance in 1979. Sinclair's Dino in the 1965 Parade. The Village People performance in 1978. Tom Turkey, known in 1974 as the Toy Turkey, makes his second appearance. The Patriot Band performance in 1978. The Independence High School 76th Cavalry Band in 1978. The Salem High School Marching Band performance and Santa Claus in 1977. Mason Reese performance in 1975. The Dover High School Tornado Band performance in 1972. The Ohio Youth Choir in 1975 Audio of the Christian County High School Marching Colonels performance in 1975. The Spring Branch Sr. High School Marching Band performance in 1974. The Spring Branch Bruin Brigade performance in 1974. Audio of the Carlisle High School Marching Band performance in 1967. Short silent clips of the 1966 Parade.