Presented on MUSICAL COMEDY TIME. Dietz-Schwartz musical about the Governor of a Spanish colony in 1812 who cannot resist the ladies. Musical numbers only. A lost television broadcast. 

Very good to excellent sound recording.            

Ralph Flanagan was a big band leader and musical composer. He composed and arranged for such big band leaders as Sammy Kaye, Charlie Barnet, and Alvino Rey.His instrument of expertise was the piano. His 1950s radio show was heard on the Mutual Radio network.

Highlights of 4-15-51:

"Apple Blossom Time"
"Be My Love"
"Penthouse Serenade"
"Twilight Rhapsody"
"Hearts And Flowers"

The show also features vocalists Harry Prime and Peggy King.

 

June 28th, 1954-August 20th, 1954  (CBS)

Fifteen-minute summer replacement series for the Perry Como Show. Like Como's fifteen-minute program, Anthony's show was seen on Monday, Wednesday, and Friday nights on CBS. It was also known as "TV's Top Tunes." 

This July 9th, 1954 broadcast is a complete fifteen-minute program. 

Series of television specials presented by the Rexall Pharmaceutical Company for NBC television. 

"Babes In Toyland" Version 1 starring Jo Sullivan Loesser. 

Series of television specials presented by the Rexall Pharmaceutical Company for NBC television. 

"The Merry Widow" starring Patrice Munsel. Part 1 of 2. 

Series of television specials presented by the Rexall Pharmaceutical Company for NBC television. The conclusion of "The Merry Widow" starring Patrice Munsel. Part 2 of 2. 

Series of television specials presented by the Rexall Pharmaceutical Company for NBC television. 

"Naughty Marietta" starring Alfred Drake. Music by Victor Herbert.

Series of television specials presented by the Rexall Pharmaceutical Company for NBC television. 

"Desert Song" starring Nelson Eddy 

Series of television specials presented by the Rexall Pharmaceutical Company for NBC television. 

"Chocolate Soldier" starring Rise Stevens.

Ralph Flanagan was a big band leader and musical composer. He composed and arranged for such big band leaders as Sammy Kaye, Charlie Barnet, and Alvino Rey.His instrument of expertise was the piano. His 1950s radio show was heard on the Mutual Radio network.

Dixieland music. Guests: La Playa Sextet. 

 

Series of television specials presented by the Rexall Pharmaceutical Company for NBC television. 

"The Great Waltz" starring Patrice Munsel. 

Series of television specials presented by the Rexall Pharmaceutical Company for NBC television. 

"Babes In Toyland" Version 2 starring Barbara Cook. 

Series of television specials presented by the Rexall Pharmaceutical Company for NBC television. 

"The Music Of George Gershwin" with Alfred Drake. 

July 7th, 1956- September 1st, 1956 (CBS) 

Saturday night half-hour musical variety series hosted by bandleader Russ Morgan and featured singer Helen O'Connell.

Helen O'Connell sings "How Little We Know." 

July 7th, 1956- September 1st, 1956 (CBS) 

Saturday night half-hour musical variety series hosted by bandleader Russ Morgan and featured singer Helen O'Connell.

Guest: Guy Mitchell. 

July 7th, 1956- September 1st, 1956 (CBS) 

Saturday night half-hour musical variety series hosted by bandleader Russ Morgan and featured singer Helen O'Connell.

A medley of Johnny Mercer songs sung by Johnny Mercer. 

Alan Freed's guests are Edith Adams, Andy Williams, and Lillian Briggs. 

This SPECIAL ABC TV broadcast is the second of his two half-hour Rock'N' Roll Reviews. The first SPECIAL was broadcast one week earlier on ABC TV (May 4, 1957). 
Freed conducts the orchestra.

All Excerpts of songs performed:
-Jimmy Bowen and the Rhythm Orchids: "I'm Stickin' With You." 
-Lillian Briggs: "I Want You To Be My Baby."
-Edith Adams: "He Don't Want To Be Kissed."
-Charlie Gracie: "Fabulous."
-Edith Adams sings a medley of the best  of Rock 'N' Roll with the Alan Freed Orchestra, including, 
"I'm Hoping That You Come Back To Me,"
"I'm All Shook Up,"
"Party Doll."

NOTE: This television audio air check from ATA was donated to The Library of Congress, who requested having a copy, on December 29, 2009. 

Host: Alan Freed                                                                                          

September 29, 1957 - March 21, 1961

Presented on "DUPONT SHOW OF THE MONTH." 
8th broadcast. 
Revamped television adaptation of Victor Herbert's 1906 operetta. Three individuals pass through a small Dutch town and are affected by the legend of the Red Mill. Harpo Marx and Evelyn Rudie were the narrators. No open or close recorded. 

HIGLIGHTS:
"Every Day Is Ladies Day"........Edward Andrews & Elaine Stritch
"Dream Love"............................Shirley Jones
"When You're Pretty"..................Donald O'Connor
"We'll Walk"...............................O'Connor, Elaine May, Mike Nichols
"Moonbeams".............................Shirley Jones
"In a Little World for Two"...........Jones, Mike Nichols, Elaine May
"Because You're You".................Mike Nichols, Elaine May
"In Old New York......................... Donald O'Connor
"I'm Ready"..................................Elaine Stritch

NOTE:
According to the review in the New York Times (April 21, 1958), this production was "the FIRST  television musical broadcast to be presented on the home screen by means of Ampex magnetic video tape technology." .90% was transmitted on tape, 10% was live. 

The original color 2" Quad Video Tape used for broadcast has been lost. 

This original audio tape, recorded direct line at the time of the original television broadcast on 1/4" reel to reel audio tape contains a superior sound track compared to the surviving B/W kinescope of this broadcast, with its less than pristine audio.                         

Presented on "BOB HOPE BUICK SHOW." Bob Hope stars in a 90 minute adaptation of the big 1933 musical comedy hit of 25 years ago, Jerome Kern's "Roberta."                          

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music.
 
We hum ragtime tunes quite casually today, unaware, as Mr. Morath points out, that ragtime was once a national issue, and that the musicians’ union once passed a resolution censuring this type of music. Mr. Morath explains why ragtime was more than just another kind of tune. He tells of its origins and the men who first wrote it: Scott Joplin, the author of Maple Leaf Rag; John Stark, the first publisher of good ragtime music; James Scoot and others. He defines ragtime, syncopation, polyrhythm, and improvisation. He speaks of the player piano, the importance of the ragtime composer who wrote his music down, and the spread of ragtime across the nation by the end of the first decade of the twentieth century.


Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon (New Music of the '20s)

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                             

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

Mr. Morath’s subject for this program is the blues: their origin, their musical form, and the new rhythms involved. Combining musical analysis with some excellent performances by Ernie Douglas singing the blues, Mr. Morath presents a program of musical theory, history, and song. He talks about one of the fathers of the blues, WC Handy, and about the spread of the blues from Memphis to London, England. He gives a picture of music whose importance and popularity still continue, half a century later.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

Some songs stay alive despite any changes in taste or style, and a large number of the songs we’re singing now were written in the Ragtime Era. Mr. Morath sings many of them and describes why they have remained so popular for so long. The fact that they were written by musicians who were not professional song writers, the use of a simple pattern of notes, and the rhythms which made them easy to sing made these songs memorable. This program features not only Mr. Morath, but also a barbershop quartet.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon (New Music of the '20s)

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                             

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

Musical comedies broke away from the Viennese operetta in the Ragtime Era, and Mr. Morath spends this program telling about the ancestors of Naughty Marietta, and, later, Oklahoma! and Carousel. Jerome Kern, Irving Berlin, George Gershwin and Cole Porter gained their starts from the impetus of the musical comedies, vaudeville shows and extravaganzas of the Ragtime Era.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon (New Music of the '20s)

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                          

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

What is Tin Pan Alley? When did it get its start? Max Morath answers these and other questions in the course of an amazing and amusing program devoted to the music business. In the Ragtime Era. Do you realize that “A Bicycle Built for Two” was rejected by American music publishers, and only became popular after it was printed in England?  Do you know who invented the phrase “Tin Pan Alley?” What do the names Rosenfeld, Von Tilzer, Berlin, or words like “nickelodeon,” “illustrated song,” or “coon song” mean to you? Did you know that popular music is one of the outstanding examples of the improvement in civil liberties over the past decade? Or that it was ragtime which brought everyday speech and slang into popular songs?

In this episode, Max Morath explains how Tin Pan Alley got its name; discusses the rise of the popular song in America; explains the idea of the “Illustrated Song” as an advertising technique for selling songs; discusses the dangers of stereotypes and racism in song and plays a “coon song” from the Rag Time Era; explains the meaning of copyright and gives a brief history on the invention of the gramophone.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                       

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

Continuing with his anecdotes and analysis of Tin Pan Alley, Mr. Morath tells about the songs which no one remembers today – how they were chosen, what made theme popular, and why they were forgotten. He tells about the song-plugger, the growth of movies and the illustrated song, the development and decline of the sheet music business, and the importance of new kinds of music and novel ideas. He also speaks about the fascinating and feverish world behind the scenes of the popular music arena of the early 1900s.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                                                 

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

“A tune needs a rhythmic pattern – unless you’re singing in the bathtub. How else will you know when to tape your feet?” So asks Mr. Morath at the beginning of this program. He spends the rest of the half hour explaining all the different rhythmic patterns used in ragtime music. Using delightful examples and the rhythm section of a band to illustrate his points, he distinguishes between 2/4, ¾ and 6/8 time, between largo, allegretto, and other tempos, and he shows how the rhythm of a song can change its whole feeling. The foot-tapping part of a song is just as important as the words or the harmonies, and this program explores how the foot-tapping part is composed.

Continuing with his anecdotes and analysis of Tin Pan Alley, Mr. Morath tells about the songs which no one remembers today – how they were chosen, what made theme popular, and why they were forgotten. He tells about the song-plugger, the growth of movies and the illustrated song, the development and decline of the sheet music business, and the importance of new kinds of music and novel ideas. He also speaks about the fascinating and feverish world behind the scenes of the popular music arena of the early 1900s.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                                                                           

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

This program deals largely with those years after 1911, when “America jumped, not headlong but feet first, into a dance mania,” as Max Morath puts it. How many people remember the “Grizzly Bear,” the “Kangaroo Dips,” the “Lama Duck,” or the most famous one of all, the “Turkey Trot?” Mr. Morath plays the music which sent ragtime America dance-crazy, and the steps themselves, complicated or simple, exhausting or romantic, are danced by the Cornick dance team. The progression form the strenuous and difficult waltzes and schottische, to the simpler, less exhausting two-steps, to finally, the more elaborate tangos; the growth of dance halls, tea dances, and, incidentally, cocktail parties; the dances left over from the Ragtime Era which we’re still dancing – these are the topics of this program.

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                                                                           

       February 11, 1961 - April 19, 1961

A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado.  

The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. 

The Ragtime Era, says Max Morath, ended with the end of World War I. He devotes a large part of this final program to a description, in words and music, of America’s part before, during and after the war. Our unwillingness, and our unpreparedness, then our desperate efforts to arm and to persuade our people that it was right to arm, our soldiers’ views of the war, and our reactions to the end of the war – all these reflected in the songs of the period, the songs which put an end to the Ragtime Era

Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. 

From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.”

In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects.

He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). 

Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's"


With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.”

Episodes:

Episode #1: The Mauve Decade

Episode #2: Any Rags Today

Episode #3: Lonesome Road

Episode #4: Those Real Singin’ Songs

Episode #5: More Music than Comedy

Episode #6: The Yankee Doodle Boy

Episode #7: Tin Pan Alley

Episode #8: Tin Pan Alley Also Ran

Episode #9: June, Moon, and Spoon

Episode #10: The Tempos of Our Time

Episode #11: Feet First

Episode #12: The Great War
                                                                                                                                                                        

  A special broadcast on CBS Radio highlighting Richard Maltby  and his orchestra from the Moonball in Freedomland Amusement Park.   
NOTE: Richard Maltby, American musician, conductor, arranger and bandleader was most notable for his 1956 recording, "The Man with the Golden Arm." His active years were during the 1930's - 1960's.  

Saturday night rock'n'roll show with Bruce Gordon.           

Presented on "BOB HOPE SPECIAL." Television adaptation of the Jerome Kern-Otto Harbach
musical. John Davidson, Janis Paige and Michele Lee join Bob Hope in a new version of the 1933 musical-comedy hit that made Hope a Broadway star.

An American fullback, John Kent, inherits an exclusive Paris dress shop from  his Aunt Minnie. He and his friend, Huckleberry Haines, travel to Paris to run the shop.

 This was the second "Roberta" TV adaptation for Hope whose character Huckleberry Haines was first seen on television, broadcast on September 19, 1958, and currently archived in the collection of Archival Television Audi, Inc.       

Duplicate original recording of audio tape ATA #5935 and #7015.                                                            

Presented on "BOB HOPE SPECIAL." Television adaptation of the Jerome Kern-Otto Harbach
musical. John Davidson, Janis Paige and Michele Lee join Bob Hope in a new version of the 1933 musical-comedy hit that made Hope a Broadway star. This was the second "Roberta" TV adaptation for Hope whose character Huckleberry Haines was first seen on television, broadcast on September 19, 1958.       

Dupe Of 5935.                    

Jay Garner gives an outstanding performance as Gov.Lester Maddox in this TV adaptation of the satirical musical, which played Broadway last year. 
The musical is performed by the original Broadway cast, with Clarence Felder 111 as narrator. The show was called a "comic, devastating cartoon of a significant political figure," by Brooks Atkinson, former New York Times drama critic. 
Maddox is followed through his recent career as he talks to his deity about closing his Pickrick restaurant rather than serve blacks, as he campaigns and is elected Governor of Georgia, and as he makes his unsuccessful bid for the presidential nomination at the 1968 Democratic convention. 
Musical numbers include "What America Means To Me," "Jubilee Joe," "Hip Hooray For Washington," and "God is American."    

June 20th, 1970-August 8th, 1970 (NBC)

Summer replacement series for The Andy Williams Show starring singer-comedian Ray Stevens.      

Joined in progress.  

NOTE: Original title for this series: ANDY WILLIAMS PRESENTS RAY STEVENS.                                           

June 20th, 1970-August 8th, 1970 (NBC)

Summer replacement series for The Andy Williams Show starring singer-comedian Ray Stevens.      

NOTE: Original title for this series: ANDY WILLIAMS PRESENTS RAY STEVENS.  
                                                       

An all-country show, with host Roger Miller singing a medley of his hits: "King Of The Road ," "You Can't Rollerskate in a Buffalo Herd," "Chug-a-Lug", and "Walking in The Sunshine." 
Guests and selections: Chet Atkins, ("Autumn Leaves"), Tom T. Hall (Old Dogs, Children and Watermelon Wine"), Donna Fargo, (The Happiest Girl in The Whole USA"), ("Funny Face"), The Statler Brothers ("The Class of '57 Had its Dreams"). 

Special: Elton John and Diana Ross are the hosts for this ceremony with music, telecast live from the Santa Monica (Cal.) Civic Auditorium.

In this first of three Rock Music Award annual television presentations (1975-1978), Elton John wins for Outstanding Rock Personality. 

Performances of rock, rhythm and blues, and pop  alternate with awards presentations in 16 categories. Winners have been selected by a nationwide panel composed of radio announcers, and music critics and reports.

At press time, the presenters included Ann-Margret, Cher, Alice Cooper, Roger Daltrey of The Who, Mike Douglas, Michael Douglas ("The Streets of San Francisco"), David Janssen, Olivia Newton-John, Tony Orlando and Dawn, Raquel Welch, and Edgar Winter, Valerie Perrine.

Announcer: Dick Tufeld.

COMPLETE with commercials. 
Disc 1- 56:00
Disc 2- 34:00
                                      

Special: Elton John and Diana Ross are the hosts for this ceremony with music, telecast live from the Santa Monica (Cal.) Civic Auditorium.

In this first of three Rock Music Award annual television presentations (1975-1978), Elton John wins for Outstanding Rock Personality. 

Performances of rock, rhythm and blues, and pop  alternate with awards presentations in 16 categories. Winners have been selected by a nationwide panel composed of radio announcers, and music critics and reports.

At press time, the presenters included Ann-Margret, Cher, Alice Cooper, Roger Daltrey of The Who, Mike Douglas, Michael Douglas ("The Streets of San Francisco"), David Janssen, Olivia Newton-John, Tony Orlando and Dawn, Raquel Welch, and Edgar Winter, Valerie Perrine.

Announcer: Dick Tufeld.

COMPLETE with commercials. 
Disc 1- 56:00
Disc 2- 34:00
                                                   

Drummer Buddy Rich performs at the Top Of The Plaza in Rochester, NY.          

The third and final rock music awards is presented in a two hour live broadcast from the Hollywood Palladium. 
Fleetwood Mac dominates with five awards. 

The hosts: Olivia Newton-John  and Peter Frampton, honoring winners in 15 categories judged by a nationwide panel of critics.

 Additional entertainment is slated from Stevie Wonder, George Benson and Rod Stewart. Scheduled presenters: The Beach Boys, Kiss, Daryl Hall, John Oates, and Kate Jackson.

SCHEDULED HIGHLIGHTS

"Instrumental Theme From ROCKY"...........Bill Conti

Tribute to Elvis Presley...............................Stevie Wonder

"Signed, Sealed, and Delivered"..................Peter Frampton
"The Greatest Love of All"............................George Benson  

NOTE: 
At the last minute, Cher, who was scheduled to co host this Live Television Special  broadcast, was replaced by Olivia Newton-John.                                                                  

Donna Fargo, Roy Clark, Freddy Fender, Oak Ridge Boys, Vikki Carr, Mel Tillis.